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Record W2140728234 · doi:10.7202/1018447ar

Qu’est-ce que l’oeuvre ? Sur les enjeux de l’exposition, la distribution et la préservation des installations vidéographiques et filmiques

2013· article· fr· W2140728234 on OpenAlexvenueaboutno aff
Ariane Noël de Tilly

Bibliographic record

VenueCircuit Musiques contemporaines · 2013
Typearticle
Languagefr
FieldComputer Science
TopicCultural Insights and Digital Impacts
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesArtPhilosophy

Abstract

fetched live from OpenAlex

La nature variable de nombreuses oeuvres d’art contemporain nécessite que celles-ci soient abordées comme des continuums. C’est donc l’étude de l’entièreté de leur cycle de vie qui permet de mieux saisir en quoi elles consistent, conceptuellement et matériellement. Dans cet article, nous proposons une approche qui permet de tenir compte de la nature changeante des oeuvres d’arts médiatiques et qui permet également de documenter la formation de leur identité. Dans un second temps, cette approche est illustrée à l’aide d’une figure de cas, soit l’oeuvre As the Hammer Strikes (A Partial Illustration) (1982) de l’artiste canadien John Massey. La reconstruction du cycle de vie de cette oeuvre permet de montrer à quel point chacune de ses expositions, chacune de ses versions, mais aussi sa circulation dans le monde de l’art et sa préservation ont contribué à définir ce qu’est As the Hammer Strikes (A Partial Illustration).

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.014
Threshold uncertainty score0.047

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.004
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0060.017
Scholarly communication0.0100.009
Open science0.0010.003
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0140.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.204
GPT teacher head0.319
Teacher spread0.116 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2013
Admission routes2
Has abstractyes

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Same venueCircuit Musiques contemporainesSame topicCultural Insights and Digital ImpactsFrench-language works237,207