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Record W2144981155 · doi:10.7202/039273ar

Tintin et le spectre de Totor

2010· article· fr· W2144981155 on OpenAlexaffvenue
Gwenn Scheppler

Bibliographic record

VenueCinémas Revue d études cinématographiques · 2010
Typearticle
Languagefr
FieldArts and Humanities
TopicLinguistics and Discourse Analysis
Canadian institutionsUniversité Laval
Fundersnot available
KeywordsHumanitiesArtPhilosophy

Abstract

fetched live from OpenAlex

L’oeuvre d’Hergé, auteur de Tintin, s’est constituée parallèlement à la période de transition entre le cinéma muet et le parlant. Le cinéma des premiers temps, auquel fut exposé Hergé, n’était d’ailleurs pas aussi silencieux qu’on l’a prétendu puisque, par ses bonimenteurs, il participait à la tradition orale. Constatant que le passage vers un cinéma parlant n’est pas une simple évolution, mais bien une mutation du média cinématographique, on cherche donc à retracer selon quelles modalités la bande dessinée a pu être influencée par cette transformation. Dans cette optique, l’auteur du présent article scrute les traces de l’influence du cinéma oral sur les premiers travaux d’Hergé, et analyse l’évolution de ces travaux à l’aune de la complexité du passage au cinéma parlant. Il montre ainsi dans quelle mesure l’héritage du cinéma oral se manifeste dans les premiers albums de Tintin.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.038
Threshold uncertainty score0.076

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0090.017
Scholarly communication0.0070.003
Open science0.0010.004
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0070.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.022
GPT teacher head0.273
Teacher spread0.251 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2010
Admission routes2
Has abstractyes

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Same venueCinémas Revue d études cinématographiquesSame topicLinguistics and Discourse AnalysisFrench-language works237,207