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Record W2148582962 · doi:10.7202/1019203ar

The Elusive Faces of Modernity: Jacques Gréber and the Planning of the 1937 Paris World Fair

2001· article· en· W2148582962 on OpenAlex
Danilo Udovički-Selb

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueUrban History Review · 2001
Typearticle
Languageen
FieldArts and Humanities
TopicHistorical Studies and Socio-cultural Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsModernityExposition (narrative)Style (visual arts)Art historyArchitectureCommissionThe artsSociologyArtHumanitiesHistoryLawPolitical scienceVisual artsLiterature

Abstract

fetched live from OpenAlex

The occasion of the first commission that Jacques Gréber received to plan the new city centre of Ottawa—the 1937 Paris International Exposition—was the scene of the first encounter between the proponents of the New Architecture and the tenets of the "Retour à l’Ordre." The last in the long tradition of French "Universelles, " with their common eighteenth-century Illuminist legacy, the exposition Gréber planned was the first to open its doors widely to the most radical modern arts. This article argues that Gréber based the exposition on a double refusal: On the one hand, the refusal to introduce a unique controlling style, as had been the case in all previous French fairs, and on the other the refusal to represent modernity in any single-minded form. This pluralist approach announced in France the end of modernity understood as an issue of style altogether.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Review · Consensus signal: Review
Teacher disagreement score0.430
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0020.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.042
GPT teacher head0.222
Teacher spread0.181 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it