MétaCan
Menu
Back to cohort
Record W2157163424

The Poetic Voice in George Elliott Clarke’s “Blank Sonnet”

2013· article· en· W2157163424 on OpenAlexaboutno aff
Adam Cameron

Bibliographic record

VenueVerso: An Undergraduate Journal of Literary Criticism · 2013
Typearticle
Languageen
FieldArts and Humanities
TopicPoetry Analysis and Criticism
Canadian institutionsnot available
Fundersnot available
KeywordsSonnetPoetryLiteratureArtPhilosophyWhite (mutation)George (robot)IdeologyWonderHistoryArt historyPoliticsLaw
DOInot available

Abstract

fetched live from OpenAlex

Invented in Italy in the fourteenth century, sonnets in English first appeared with the early sixteenth century efforts of Sir Thomas Wyatt and Henry Howard, Earl of Surrey. Though the sonnet’s popularity may have peaked with the renowned sequences of Sidney, Spenser, and Shakespeare, variations of its form have since been used to memorable effect by poets from Wordsworth to Barrett Browning to Yeats. More recently, Canadian poet and Dalhousie alumnus George Elliott Clarke offered another memorable take on a very old form. In the following essay on poetic voice in “Blank Sonnet,” Adam Cameron brings to light many of the ways Clarke’s pointedly unrhymed poem attests to its author’s resistance to the tradition the sonnet represents. In the process of inflecting that tradition, however, the poet cannot escape the “white voice” that contrasts and conflicts with the “speaker’s blackness.”  In a reading of form and content admirable for its depth, breadth, and rigour, the essay makes clear that “every dark corner” of Clarke’s inscrutable work yet “gleams with the speaker’s struggle.”  Writing within while longing to escape the constraints of what may be that tradition’s most representative form, the poet reminds us that users of language are also – and inevitably – shaped by the ideologies that give it form. Dr. Lyn Bennett

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.018
Threshold uncertainty score0.036

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.004
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0040.013
Scholarly communication0.0050.002
Open science0.0000.002
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0020.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.014
GPT teacher head0.233
Teacher spread0.219 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2013
Admission routes1
Has abstractyes

Explore more

Same venueVerso: An Undergraduate Journal of Literary CriticismSame topicPoetry Analysis and CriticismFrench-language works237,207