MétaCan
Menu
Back to cohort
Record W2166554332 · doi:10.3138/md.44.4.437

The (Un)Settled Space of Richard Maxwell's <i>House</i>

2001· article· en· W2166554332 on OpenAlexvenueno aff
Markus Wessendore

Bibliographic record

VenueModern Drama · 2001
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsArt historyArtDowntownStyle (visual arts)Performance artTheatre directorVisual artsHistoryArchaeology

Abstract

fetched live from OpenAlex

Few theatre artists since the mid-1990s have caused the stir in Manhattan's downtown theatre scene that Richard Maxwell has. The theatre productions of the thirty-four-year-old playwright, director, and composer have received a critical response that can best be compared to the initial reception of a former American theatre avant-garde. Recalling the reviews of early performances by Jack Smith, Richard Foreman, and Robert Wilson in the late 1960s and early 1970s, Maxwell's productions have either been attacked or praised for their anti-theatricality - or what critics have called their "flattened acting style", "theatricality in the mundane”, or "school of inexpressiveness". Nonetheless, there can be little doubt that Maxwell is one of the most innovative theatre artists of his generation. His unique vision has been recognized both nationally and internationally: for his play House, which premiered in New York in June 1998, Maxwell was awarded a Village Voice OBIE the following year; his work has also won critical acclaim in Europe, where House (and the subsequent productions Showy Lady Slipper and Caveman) recently toured major theatre festivals. House will also feature prominently in the following pages, which examine the place of domesticity in Max well's theatre.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.035
Threshold uncertainty score0.118

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0040.003
Scholarly communication0.0070.003
Open science0.0000.002
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0350.007

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.018
GPT teacher head0.210
Teacher spread0.192 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2001
Admission routes1
Has abstractyes

Explore more

Same venueModern DramaSame topicTheatre and Performance StudiesFrench-language works237,207