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Record W2187116738 · doi:10.29311/mas.v5i2.97

'Difficult' exhibitions and intimate encounters

2015· article· en· W2187116738 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueMuseum and Society · 2015
Typearticle
Languageen
FieldArts and Humanities
TopicMuseums and Cultural Heritage
Canadian institutionsInstitute for Christian Studies
Fundersnot available
KeywordsExhibitionContext (archaeology)Presentation (obstetrics)Relevance (law)Relation (database)SociologyConsciousnessHistorySubject (documents)Subject matterAestheticsCharacter (mathematics)GlobalizationMedia studiesPsychologyArtLawArt historyPolitical scienceMedicine

Abstract

fetched live from OpenAlex

Over the last thirty years museums around the world have shown an increased willingness to take on what is often characterized as ‘difficult subject matter.’ Absent in Anglophone museum studies literature, however, is a sustained discussion on what it is about such exhibitions that render them ‘difficult’ and, most important, what can be achieved by making painful histories public. This paper sets out to stimulate such discussion, illustrating the relevance of our concerns within the context of a comparative analysis of two recent Swedish exhibitions: The Museum of World Culture’s No Name Fever: AIDS in the Age of Globalization; and Kulturen’s Surviving: Voices from Ravensbrück. Very divergent in their presentation strategies and in the type of information presented, these exhibitions attempt to position their viewers in relation to violence and suffering of ‘others’ distant in time, place, or experience. We conclude by discussing the ways in which public history might animate a critical historical consciousness, a way of living with and within history as a never-ending question that constantly probes the adequacy of the ethical character and social arrangements of daily life.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.528
Threshold uncertainty score0.267

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.044
GPT teacher head0.219
Teacher spread0.175 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it