MétaCan
Menu
Back to cohort
Record W2204444510

A Storied History of Art Education: The Art Department at Central Technical School, 1892-2014

2015· dissertation· en· W2204444510 on OpenAlexaboutno aff
Dustin Garnet

Bibliographic record

VenueSpectrum Research Repository (Concordia University) · 2015
Typedissertation
Languageen
FieldArts and Humanities
TopicArt Education and Development
Canadian institutionsnot available
Fundersnot available
KeywordsInstitutionConstruct (python library)ArchitectureVisual artsPerspective (graphical)History of architectureSociologyMedia studiesArtSocial scienceComputer science
DOInot available

Abstract

fetched live from OpenAlex

A Storied History of Art Education: The Art Department at Central Technical School, 1892-2014 \nDustin Garnet, Ph.D. \nConcordia University, 2015 \n \nThe Art Department at Central Technical School (CTS) in Toronto, Canada supports the \ncountries first and only specialized technical fine art program for adults and high school students. \nMy purpose in this research is to provide one version of this institution’s 122 year history \nutilizing the lived experiences of the men and women who shared in its legacy. I explore how \nstories as a form of historical research provide insights into the everyday lives and artistic culture \nof CTS resulting in more localized and relational accounts of the past. Questions guiding this \nstudy include: Who were the forces behind the growth of the CTS art program? What are the \nfactors that have helped sustain this publically funded institution? What were the major historical \nevents that shaped the history of CTS? And, why is the Art Department at CTS rarely mentioned \nin written histories of Canadian art education? \nFrom a theoretical perspective, my approach to new history(ies) has generated a socio-historical literary account of CTS as part of the field of art education, allowing me to construct \nstories and emplot characters in ways that provide multiple forms and contexts to understand the \ninstitution from more holistic perspectives. Through the methodological architecture of the \npolyptych frame I have built a collection of historical stories that hinge together, but can be \nseparated and reconfigured to tell multiple stories from personal, external, and internal \nperspectives. Stories are at the heart of my research and within them lies much more than \nindividual oral histories. The new history I construct speaks to a transgenerational artistic culture \niv \nbuilt on relationships and networks that directly contribute to shaping the visual culture of \nCanada. \nInvoking the use of stories as an aesthetic means of constructing history has permitted me \nto expand on significant historical issues specifically addressing the domains of art, education, \nsocial structure, and culture. In an effort to promote genealogical continuity rather than disparity \nbetween historical realities and historical narratives I engaged in primary sources of information \nthat link five generations and identify four thematic threads including, identity politics, \ninstitutional identity, school culture, social networks, that braid and create continuity over time.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.160
Threshold uncertainty score0.573

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.001
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.006
Science and technology studies0.0250.012
Scholarly communication0.0090.003
Open science0.0010.005
Research integrity0.0010.004
Insufficient payload (model declined to judge)0.0230.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.036
GPT teacher head0.279
Teacher spread0.243 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2015
Admission routes1
Has abstractyes

Explore more

Same venueSpectrum Research Repository (Concordia University)Same topicArt Education and DevelopmentFrench-language works237,207