Bibliographic record
Abstract
Radio temporaire is project that emerged in 1999 from meeting between Zeigam Azizov, Sylvie Desroches, Dean Inkster, Adrien Laubscher, Alejandra Riera and Caecilia Tripp as proposal for potential exhibition space in the context of curatorial studies program at the Magasin, national centre of contemporary art located in Grenoble. Radio temporaire was produced in radio studio over the course of week - from November 29 to December 5 1999 - through both sound archives and daily encounter with artists, theoreticians, architects, musicians in view of without emissions (transmissions sans emissions) on subjects ranging from new media and their representation, pedagogy and knowledge transmission, women's approaches to the use of space, contemporary forms of cultural resistance, new geographies and global representations, to cultural studies. Since then, Sylvie Desroches has been pursuing the constitution of an archive comprised of a shared surface, narrative of the meeting of desires (surface partagee, recit de desirs croises) the goal of which is to perpetuate Radio temporaire as tool of reflection and dialogue of feminine approaches to the use of space.Le projet radio temporaire est ne de la rencontre entre Zeigam Azizov, Sylvie Desroches, Dean Inkster, Adrien Laubscher, Alejandra Riera et Caecilia Tripp comme proposition pour un espace d'exposition potentiel dans le cadre du programme d'etudes curatoriales du Magasin, centre national d'art contemporain de Grenoble en 1999. Radio temporaire s'est produit pendant une semaine - du 29 novembre au 5 decembre 1999- dans un studio de radio mettant en consultation une archive sonore et organisant chaque jour une rencontre avec des artistes, des theoricien/nes, des architectes, des musicien/nes pour des « transmissions sans emission » sur des sujets comme les nouveaux medias et leur representation, la pedagogie et la transmission du savoir, l'approche feminine de l'espace, les formes de resistances actuelles, les nouvelles geographies et les representations globales, et les etudes culturelles. Depuis lors Sylvie Desroches poursuit la constitution d'une archive « surface partagee, recit de desirs croises » dans une volonte de perpetuer radio temporaire comme outil de reflexion et de dialogue sur les pratiques feminines de l'espace.IntroductionCe travail sur les pratiques feminines de l'espace est ne dans le contexte du projet collectif radio temporaire en 1999. Cette recherche m'a amenee rencontrer des femmes architectes et artistes, et realiser des dialogues enregistrees avec elles sur leur pratique et sur les questions de l'espace et du genre.« surface partagee » est la transcription d'un montage sonore que j'ai realise en novembre 1999, constitue de fragments des entretiens faits auparavant avec deux groupes d'architectes bases Londres: muf.Architecture/Art, et l'ex-collectif Matrix. Cette bande audio servi de « tissu d'idees », sorte de texture/structure de la discussion pour la plate-forme « surface partagee, pratiques feminines de l'espace » qui suit: ce dialogue eu lieu publiquement entre radio temporaire et Doina Petrescu, dans un studio de la radio suisse romande le 3 decembre 1999.« surface partagee »Montage sonore ecoute et discute avec Doina Petrescu, 3 decembre 1999, dans un studio de la radio suisse-romande.« Shared Ground - tentative MIX 2 »: duree 11:56 minutesPrise de son urbaine Southwark Street, Londres le 28 septembre 1999, sur les lieux de Shared Ground de muf. Superposition de fragments d'entretiens avec muf, Julia Dwyer et Anne Thorne (ex-Matrix). Montage sonore realise avec Jean-Michel Berthier(1) en octobre 1999 Lyon. Entretiens, traduction et montage textue: Sylvie Desroches.« ...biology in gender, and the variety of identities women could have...obviously for me there is specific feminine language of the body, it's something that's learnt from very young age, and it has been very well explored by feminists looking at things like the male gaze and this self-consciousness about the body, for me that is just everywhere. …
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.003 | 0.006 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.001 |
| Bibliometrics | 0.004 | 0.004 |
| Science and technology studies | 0.005 | 0.003 |
| Scholarly communication | 0.012 | 0.004 |
| Open science | 0.002 | 0.006 |
| Research integrity | 0.002 | 0.003 |
| Insufficient payload (model declined to judge) | 0.166 | 0.055 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".