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Record W2257444961 · doi:10.1111/lic3.12282

The Fictional Suicides of Mary Wollstonecraft

2015· article· en· W2257444961 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueLiterature Compass · 2015
Typearticle
Languageen
FieldArts and Humanities
TopicReligion, Gender, and Enlightenment
Canadian institutionsUniversity of Manitoba
Fundersnot available
KeywordsSensibilityPassionIrrationalityRomancePsychoanalysisLiteratureRemorseMeaning (existential)PsychologyWifeNovellaMemoirPhilosophyRationalityPsychiatryArtSocial psychologyPsychotherapistEpistemology

Abstract

fetched live from OpenAlex

Abstract Suicide conveyed several distinct meanings in the Romantic period – unlike today, when it is most often attributed to mental illness. This meaning also existed in the long eighteenth century, but it was understood more broadly as irrationality and popularized through the emphasis on extreme passion and emotionalism as related to suicide in the literature of sentiment. William capitalized on this widely recognized and – to some extent – culturally ameliorative significance of suicide by casting his dead wife, Mary Wollstonecraft, as a character in a novel of sensibility when he reported her two suicide attempts in the Memoirs (1798). In doing so, however, Godwin fictionalizes Wollstonecraft's suicide attempts as acts of passion, whereas she explains clearly in her letters that her suicidal desires were utterly rational. Wollstonecraft further explores the concept of rational suicide by presenting it as an act of protest in her fictional works, Mary (1788) and The Wrongs of Woman (1798). In both novellas about the marital enslavement of women, Wollstonecraft draws upon the discourse surrounding slave‐suicide as a logical response to insupportable tyranny and her protagonists' death wishes as willed acts of protest.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.560
Threshold uncertainty score0.250

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.043
GPT teacher head0.244
Teacher spread0.201 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it