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Record W2264360645 · doi:10.14288/1.0104983

Man's relationship with nature in the works of Albert Camus.

2011· article· en· W2264360645 on OpenAlexaff
Margaret Jean Button

Bibliographic record

VenuecIRcle (University of British Columbia) · 2011
Typearticle
Languageen
FieldArts and Humanities
TopicNorth African History and Literature
Canadian institutionsUniversity of British Columbia
Fundersnot available
KeywordsEpistemologyPhilosophy

Abstract

fetched live from OpenAlex

This thesis is an attempt to trace the age-old theme of man's relationship with the physical universe in the works of one writer: Albert Camus. In his early works, Camus was preoccupied with this theme. From 1941 on, however, he increasingly neglected it in favour of social, political and philosophical topics. Perhaps, this is why any criticism of his works tends to centre on the man-nature theme in his writings before 1941, and then to completely drop this subject and dwell on the social, political and philosophical aspects of his later works. The man-nature theme, however, is present throughout Camus' works; in only a few is it neglected completely. Moreover, it was found that Camus' treatment of the theme formed a pattern of four chronological periods. During the first years of his literary career until 1941, Camus dwells on man's deep sensitivity to nature and the sense of "oneness" he feels with the physical universe. L'Envers et l'endroit and Noces were Camus' first youthful and ingenuous efforts to express his sense of communion with nature and the beliefs he finds as a result of this communion. In L'Etranger, Camus' first published work of fiction, man is no longer free in his association with nature, but controlled by it. "Le Minotaure", a description of Oran and its inhabitants, suggests that man has a choice of life close to nature and happiness or a life away from nature which brings sterility and boredom. In 1941 comes a distinct and decisive change in Camus' attitude to the man-nature theme. The essay "Les Amandiers" announces this change; in it nature is reduced to a mere symbol of "the good"; man is no longer portrayed enjoying the beauties of nature. Indeed, the works of this second period — the longest and richest in literary output — depict man in exile from the nature he adores; exiled because of the "absurd" as in Caligula; because of circumstances of birth and lack of money as in Le Malentendu and because of plague (or war) as in La Peste. Yet, in all these works, nature is present as a memory or a desire. "L'Exil d'Hélène" closes this period with a bitter criticism by the author of a world that has forsaken nature and its joys. For a brief interval in 1952-1953, Camus' writings reflect a deep desire to recapture his youthful experience of nature in Algeria and Italy. During this period, he describes his renewed relationship with nature in the essays: "Retour à Tipasa" and "La Mer au plus près". Neither essay, however, contains the freshness and enthusiasm of the first period. After 1953, Camus' characters lose themselves once again in a world that is out of touch with nature. La Chute describes the exile of all men and La Femme adultère, the communion of man with nature, but with a nature that is sterile and death-like.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.690
Threshold uncertainty score0.951

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.013
GPT teacher head0.144
Teacher spread0.132 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designObservational
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2011
Admission routes1
Has abstractyes

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