Bibliographic record
Abstract
Boundary Bay is a novel that explores important areas of investigation linked to education. These fields of inquiry include: literary study and the teaching of literature, aesthetics and artistic production. The novel also investigates the nature of teachers' lives in school and university settings, the nature of institutional education, societal issues affecting intellectual and creative life, the roles of the woman poet and teacher, the social structures and conventions of marriage and contemporary women, the conflicts and paradoxes of motherhood, the issues of teen suicide and homosexuality, and the transformative power of literature and artistic forms of seeing the world. As an example of arts-based qualitative research, the "art of fiction" is envisioned as an extension of human experience. The novel or literary narrative as a viable mode of representation for research is envisioned in light of the perception that ideas can be reflectively addressed through the arts in order to enlarge human understandings. Boundary Bay explores the vital roles literary fictions play in our everyday lives and in educational processes. Fictions are not the unreal side of reality or the opposite of reality: they are conditions that enable the production of possible worlds. In this sense, fiction can become a premise for epistemological positionings. The writing of Boundary Bay is informed by narratives of beginning secondary school teachers as well as the narratives of Ph.D. candidates and university educators. Boundary Bay is a novel that forms a response to the debate at the 1996 Annual American Educational Researcher's Association Meeting (AERA) between Elliot Eisner and Howard Gardner recorded in "Should a Novel Count as a Dissertation in Education?" (Saks, 1996; Donmoyer, 1996). The debate between Eisner and Gardner continued as Boundary Bay was presented at a symposium titled "Shaking the Ivory Tower: Writing, Advising and Critiquing the Postmodern Dissertation" at AERA 1999 in Montreal. The manuscript of poetry interwoven through Boundary Bay was short-listed for the 1998 CBC Canada Council Literary Awards. Boundary Bay was a semifinalist for the 1999 Robertson Davies Prize for fiction.
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How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.001 | 0.000 |
| Scholarly communication | 0.000 | 0.001 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.005 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".