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Record W2284472497 · doi:10.17742/image.onf.6-1.4

Du devenir de la notion de documentaire à l’ONF : des discours aux formes

2010· article· fr· W2284472497 on OpenAlexvenueaboutno aff
Caroline Zéau

Bibliographic record

VenueImaginations Journal of Cross-Cultural Image Studies · 2010
Typearticle
Languagefr
FieldComputer Science
TopicCultural Insights and Digital Impacts
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesArtPolitical science

Abstract

fetched live from OpenAlex

Résumé La production documentaire fut toujours l’armature du mandat de l’Office national du film du Canada. Pour garantir la légitimité du cinéma auprès des instances publiques, son fondateur John Grierson a pris appui sur l’assise conceptuelle de l’Idée documentaire, une conception programmatique du cinéma qui soumettait celui-ci à la cause publique. Plus que jamais aujourd’hui, l’héritage de John Grierson est invoqué pour caractériser les valeurs associées à la mission de l’ONF, comme en témoignent les documents de communication produits par l’organisme. Plusieurs questions se posent alors : pourquoi la résurgence du lexique griersonien est-elle jugée pertinente aujourd’hui ? Et quelles sont les équivalences présupposées par ce retour aux sources ? Dans cet article, l’auteure se propose d’étudier la place et les valeurs aujourd’hui accordées à la notion de documentaire et aux objets qu’elle recouvre au sein des discours et des formes produits par l’ONF dans le cadre de la mutation technologique qui redéfinit sa mission et ses priorités depuis 2008. Ainsi seront examinées les déclinaisons terminologiques qui s’y rapportent—sur le site ONF.ca et les plans stratégiques 2008-2013 et 2013-2018—parallèlement à l’étude des formes nouvelles de documentaires produites pour les canaux de diffusion numériques qui définissent le champ de l’art interactif. Abstract Documentary production has always been central to the mandate of the National Film Board of Canada (NFB). To ensure the legitimacy of film among public authorities, its founder John Grierson built on the conceptual foundation of the Documentary Idea, a programmatic concept of cinema that places the latter at the service of the public. Today more than ever, the legacy of John Grierson is understood to characterize the values associated with the mission of the NFB, as evidenced by the institution’s communication documents. Several questions then arise: why is the Griersonian vocabulary considered pertinent today within the NFB? And what equivalences are assumed in this return to basics? From within the framework of the technological transformations that have been redefining the mission and priorities of the NFB, and the discourses and forms produced by the NFB since 2008, this article studies the place and values associated today with the notion of documentary and the objects it describes. Thus, the terminological variations linked with the term documentary are scrutinized—both on the NFB.ca website and in the 2008-2013 and 2013-2018 strategic plans—in parallel with the new forms of documentary produced for the digital distribution channels defining the field of interactive art.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.004
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Science and technology studies, Scholarly communication
Consensus categoriesScience and technology studies, Scholarly communication
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: Theoretical or conceptual
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.181
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.004
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.010
Scholarly communication0.0170.075
Open science0.0010.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.097
GPT teacher head0.461
Teacher spread0.365 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; both teacher heads agree on what is shown here.

Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2010
Admission routes2
Has abstractyes

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