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Record W229193929 · doi:10.3138/cjfs.13.1.2

Room-for-Play: Beniamin's Gamble with Cinema the Martin Walsh Memorial Lecture 2003 Résumé:

2004· article· fr· W229193929 on OpenAlexvenueno aff
Miriam Hansen

Bibliographic record

VenueCanadian Journal of Film Studies · 2004
Typearticle
Languagefr
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsnot available
Fundersnot available
KeywordsArtHumanitiesESPACEArt history

Abstract

fetched live from OpenAlex

Dans la deuxième version de son article « L'œuvre d'art à l'époque de sa reproduction mécanisée » (1936), Walter Benjamin note que l'anéantissement de l'aura ou apparence (Scbein) dans l'art s'accompagne d’une augmentation énorme de « l'espace de jeu » (Spielraum) surtout, et grâce, au cinéma. Cet article examine les nombreuses connotations du terme allemand Spiel chez Benjamin-le jeu d'enfant, le jeu de l'acteur, le jeu de hasard--et étudie sa notion du cinéma comme jeu en relation avec sa théorie anthropologique-matérialiste de la technologie. De là découle l'importance à la fois esthétique et politique du cinéma en tant que forme de jeu de « seconde nature » .

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.985
Threshold uncertainty score0.118

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0050.003
Scholarly communication0.0050.003
Open science0.0010.002
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0350.003

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.028
GPT teacher head0.232
Teacher spread0.204 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations17
Published2004
Admission routes1
Has abstractyes

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Same venueCanadian Journal of Film StudiesSame topicCinema and Media StudiesFrench-language works237,207