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Record W2293368195 · doi:10.14288/1.0092671

From negative to positive : B.A. Haldane, nineteenth century Tsimshian photographer

2010· article· en· W2293368195 on OpenAlexaff
Mique̕ l Icesis Askren

Bibliographic record

VenuecIRcle (University of British Columbia) · 2010
Typearticle
Languageen
FieldArts and Humanities
TopicPhotography and Visual Culture
Canadian institutionsUniversity of British Columbia
Fundersnot available
KeywordsAestheticsArtPhilosophyHistory

Abstract

fetched live from OpenAlex

Metlakatla, Alaska, was established in 1887 by eight hundred and twenty-three Tsimshian people who, under the guidance of lay missionary, William Duncan, migrated from British Columbia in quest of government-sanctioned land rights and the liberty to follow nondenominational Christianity. Through a strategic dissemination of texts and images by Duncan and his supporters, such as Henry Wellcome, Metlakatla was positioned as the epitome of "successful assimilation" of Indigenous people into the wider colonial project. Today, this depiction continues to be the dominant representation of Metlakatla in the literature on the Northwest Coast. I am a direct descendant of the Tsimshians who founded Metlakatla. Based on my life experiences and our oral history, I believe that this colonial narrative, which depicts our conversion to Christianity as a complete rejection of our cultural traditions, has been socially detrimental to our community, by excising our stories of resistance and cultural continuity from written accounts of our history. The primary objective of my thesis is to challenge and disrupt this colonial narrative by bringing to light a counter-narrative that was captured through the life and photographic lens of one of our people, Benjamin Alfred (B.A.) Haldane (1874-1941). Having opened a portrait studio in Metlakatla in 1899, Haldane became the first professional Native photographer on the Northwest Coast. Few publications, however, discuss his work and none explore his life and career extensively. This thesis not only provides the first in-depth analysis of Haldane’s photography but it also documents a counter-narrative which until now has only existed in our oral history. Through archival and community-based research into Haldane’s life, as well as the lives of some of the people he photographed, such as Sidney Campbell and Joseph Hayward, I complicate assimilationist paradigms that are prevalent in the study of the Northwest Coast First Nations. By framing Haldane’s practice as performing strategic acts of "photographic sovereignty", as defined by Navajo photographer Hulleah Tsinhnahjinne (2003), this thesis demonstrates the complex and subversive ways in which photography was used by Haldane and other Tsimshian people in Metlakatla, who incorporated it into our cultural practices, as a significant means of resisting colonial authority.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.942
Threshold uncertainty score0.116

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0110.007
Scholarly communication0.0020.002
Open science0.0000.001
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0040.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.008
GPT teacher head0.180
Teacher spread0.172 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2010
Admission routes1
Has abstractyes

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