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Record W2319134504 · doi:10.1093/notesj/gjq169

Henryson's Fox and Hary's Potter

2010· article· en· W2319134504 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueNotes and Queries · 2010
Typearticle
Languageen
FieldArts and Humanities
TopicMedieval Literature and History
Canadian institutionsUniversity of Saskatchewan
Fundersnot available
KeywordsSimileConfession (law)LiteratureIronyPhilosophyArtPoetryNarrativeTheologyHistoryArt historyMetaphor

Abstract

fetched live from OpenAlex

A connection has been noticed between Hary’s Wallace and Henryson’s fox, but its implications have remained unconsidered.1 In his confession to ‘Ane worthie doctour of divinitie, / Freir Wolff Waitskaith’ (Fables, lines 666–7), the fox admits to imperfect contrition over his killing of lambs and hens: ‘For to repent my mynd can not concluid / Bot of this thing, that I haif slane sa few’ (lines 702–3).2 The moment recalls Wallace’s confession, just prior to his execution, to an English clerk: asked whether he asks for ‘Grace off our king’, Wallace utters a memorable rejoinder: Than Wallace smyld a litill at his langage. ‘I grant’, he said, ‘part Inglismen I slew In my quarell—me thocht nocht halff enew.’ (Book XII, lines 1383, 1384–6) Positing a link between Wallace’s slaughter of the Southron and Lowrence the fox’s depredations upon assorted farm animals fuels the conjecture that parody was an available option virtually from the outset of the reception of Hary’s epic.3 The step from Wallace’s exploits to the fox’s tricks need not be as extreme as it at first appears: irony and burlesque are not absent from Hary’s narrative, some of its mock-heroic touches having been noted, as in the use of the simile ‘like fire from flint’ to typify flight rather than fight (Book VII, line 1216, and X, line 52).4 Considering the recurrence of similarly ironic allusions in Henryson’s poems, Denton Fox observes, ‘Not often … can one point to any single poem which Henryson must have known’.5 It may be opportune to point to Wallace, to confirm its editor’s perception of Hary’s characteristic initiative and inventiveness in combining and elaborating materials from multiple sources, and to raise the possibility that Hary plays a decisive role in establishing these qualities at the centre of Scots poetic practice in the later fifteenth and early sixteenth centuries.6 Hary has received recognition for his interweaving of diverse sources: Barbour’s Bruce, Wyntoun’s Origynale Cronykil, Bower’s Scotichronicon, English romances such as The Siege of Melayne and Morte Arthure, and, not least, Chaucer’s Knight’s Tale, Squire’s Tale, Troilus and Criseyde, Anelida, and Compleynt of Mars.7 Nicola Royan extols ‘the literary sophistication of Hary’s poem: its form, its intertextuality, and its other cultural allusions’.8 Encouraged by Walter Scheps and Alasdair MacDonald, one might belatedly develop Margaret Muriel Gray’s perception that Wallace plays a decisive role in opening certain kinds of intertextuality to poetic practice in late fifteenth-century Scotland,9 and not least in Henryson’s Fables.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.981
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.011
GPT teacher head0.195
Teacher spread0.184 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it