MétaCan
Menu
Back to cohort
Record W2321982904 · doi:10.17742/image.tgvc.5-2.7

“MIRRORING TERROR”: THE IMPACT OF 9/11 ON HOLLYWOOD CINEMA

2014· article· en· W2321982904 on OpenAlexvenueno aff
Thomas Riegler

Bibliographic record

VenueImaginations Journal of Cross-Cultural Image Studies · 2014
Typearticle
Languageen
FieldArts and Humanities
TopicContemporary Literature and Criticism
Canadian institutionsnot available
Fundersnot available
KeywordsHollywoodMirroringMovie theaterArtAestheticsMedia studiesArt historySociologyCommunication

Abstract

fetched live from OpenAlex

By drawing upon Siegfried Kracauer’s concept of cinema as a “mirror” of society, this article explores the impact of the “terror years” since 2001 on US cinema. Hollywood was the main cultural apparatus for coping with 9/11, which had left Americans struggling in the “desert of the real” (Žižek). Visual content simplifies traumatic events like the terrorist attacks for audiences—often expressing them in simple Manichean black and white terms and thereby offering moral guidance, unity, and a sense of destiny. Hollywood’s response to 9/11 included all these different aspects: It appealed to an “unbroken” spirit, strove to reassert the symbolic coordinates of the prevailing American reality, and mobilised for a response to new challenges. With time passing, Hollywood also incorporated the mounting doubts and dissent associated with this process. As the review of relating movies of the “terror years” demonstrates, the American film industry has examined, processed, and interpreted the meaning of the terrorist attacks in great variety: Ranging from merely atmospheric references to re-enactments, from pro-war propaganda to critical self-inquiry.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.007
Threshold uncertainty score0.028

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.004
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0060.012
Scholarly communication0.0070.005
Open science0.0010.005
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0050.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.059
GPT teacher head0.414
Teacher spread0.355 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations6
Published2014
Admission routes1
Has abstractyes

Explore more

Same venueImaginations Journal of Cross-Cultural Image StudiesSame topicContemporary Literature and CriticismFrench-language works237,207