MétaCan
Menu
Back to cohort
Record W2326295840 · doi:10.7756/spst.027.003.47-76

Hot and Bothered: The Lions of <i>Amoretti</i> 20 and <i>The Faerie Queene</i> I

2012· article· en· W2326295840 on OpenAlexaff
Sean Henry

Bibliographic record

VenueSpenser Studies A Renaissance Poetry Annual · 2012
Typearticle
Languageen
FieldArts and Humanities
TopicTheater, Performance, and Music History
Canadian institutionsUniversity of Victoria
Fundersnot available
KeywordsSimileSonnetEPICLiteratureTraitArtPoetryHistoryPhilosophyLinguisticsComputer scienceMetaphor

Abstract

fetched live from OpenAlex

This essay analyzes the lions of Amoretti 20 and the first book of The Faerie Queene. The sonnet depends upon the comparison the speaker makes between the behavior of his beloved and that of the lion, according to the received natural history of Spenser’s time. The first simile of Spenser’s epic compares Redcrosse to a lion and thereby introduces a series of lions and leonine characters running throughout Book I and embodying different attributes and associations of lions—and, by extension, different attributes of Redcrosse, Una’s proper companion, for whom the other characters stand in, whether Una wants them to or not. Spenser expects his readers to interpret the significance of the animals in a cumulative, multifaceted manner, rather than as a simple one-to-one correlation based upon a single trait at a local moment in the poem.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.020
Threshold uncertainty score0.039

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0070.007
Scholarly communication0.0030.002
Open science0.0000.001
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0040.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.026
GPT teacher head0.241
Teacher spread0.215 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2012
Admission routes1
Has abstractyes

Explore more

Same venueSpenser Studies A Renaissance Poetry AnnualSame topicTheater, Performance, and Music HistoryFrench-language works237,207