MétaCan
Menu
Back to cohort
Record W2329677738 · doi:10.1386/sfc.11.1.57_1

The ‘ghost image’ of horror and pornography in Michael Haneke's <i>La Pianiste</i> (2001)

2011· article· en· W2329677738 on OpenAlexaff
Anna Gural-Migdal, Romain Chareyron

Bibliographic record

VenueStudies in French Cinema · 2011
Typearticle
Languageen
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsUniversity of Alberta
Fundersnot available
KeywordsPornographyArtVisual artsPsychologyPsychoanalysis

Abstract

fetched live from OpenAlex

ABSTRACTOne of the main goals of Haneke's cinema is to explore the creative and interpretative potential of image, which requires dynamic interaction on the part of the spectator. The specific aspect of the image that is analysed in La Pianiste/The Pianist is its mnemonic power in relation to film genre. In this movie, the image preserves a hollow memory of film genre as a point of reference in order to hold back from its conventions, to invert them or turn its formal and semantic properties on end. The aim of this article is to show that the locus for provocation resides in those subversive connections the film shares with the genres of pornography and horror. The ambiguity conveyed by the image of the feminine figure of Erika acts as a destabilizing element in the spectator's reading of these genres. In her performance of sexual contestation, not only does she shed new light on images symptomatic of pornography and horror, but she also asserts her personal liberation from social norms.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: Observational
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.232
Threshold uncertainty score0.605

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.061
GPT teacher head0.259
Teacher spread0.197 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designObservational
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations4
Published2011
Admission routes1
Has abstractyes

Explore more

Same venueStudies in French CinemaSame topicCinema and Media StudiesFrench-language works237,207