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Record W2334286217 · doi:10.1386/host.4.1.91_1

Gleefully gory:The aesthetics of horror and Michael Slade’s Ghoul

2013· article· en· W2334286217 on OpenAlex
Jonathan Newell

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueHorror Studies · 2013
Typearticle
Languageen
FieldNeuroscience
TopicPsychology of Moral and Emotional Judgment
Canadian institutionsUniversity of British Columbia
Fundersnot available
KeywordsDisgustAestheticsScholarshipPerspective (graphical)ArtSubject (documents)SociologyPsychologyVisual artsComputer scienceSocial psychologyAnger

Abstract

fetched live from OpenAlex

A generic hybrid of mystery and horror, Michael Slade’s Ghoul (1987) is a highly violent, often graphically disgusting novel, refusing to shy away from nauseating scenes or grotesque images. My article uses Ghoul to explore a major aesthetic paradox that numerous philosophers of art have grappled with – the paradox of horror, that is, why we enjoy horror fiction despite its manifest unpleasantness. The article uses Slade’s novel to demonstrate the weaknesses of several pre-existing theories, going on to argue against their totalizing approaches to the genre and aesthetics in favour of a particularist theory. The article then formulates a specific theory of the paradox of horror as it relates to Ghoul specifically, building on recent scholarship on disgust by Carolyn Korsmeyer and earlier work by Susan Feagin, Berys Gaut and others. In doing so it questions the aesthetic methodologies often applied to horror fiction and revisits discussion of the paradox of horror, examining the subject from a new, specific perspective centred around the aesthetic possibilities of disgust.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Bench or experimental · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.507
Threshold uncertainty score0.335

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.141
GPT teacher head0.310
Teacher spread0.168 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it