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Record W2335972822 · doi:10.20361/g2kw31

What Pet Should I Get? by Dr. Seuss

2015· article· en· W2335972822 on OpenAlexvenueaboutno aff
Erika Banski

Bibliographic record

VenueThe Deakin Review of Children s Literature · 2015
Typearticle
Languageen
FieldArts and Humanities
TopicThemes in Literature Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsStudioCartoonistReading (process)VocabularyLiteratureArtVisual artsHistoryArt historyPsychologyPoliticsLinguisticsPhilosophyLaw

Abstract

fetched live from OpenAlex

Seuss, Dr. What Pet Should I Get? New York: Random House Children’s Books, 2015. Print.This title will be of great interest to children’s literature specialists and researchers. The end notes tell us that in 1991, when Theodor Seuss Geisel (Dr. Seuss) died, the manuscript was left in a box of his studio projects. His widow, Audrey, and former secretary, Claudia Prescott, discovered it in the fall of 2013. The manuscript comprised line drawings to which pieces of paper containing potential text had been attached. In some instances, multiple versions of text had been taped on top of each other.Cathy Goldsmith, Seuss’s art director for the last eleven years of his life, surmises that Seuss began the book between 1958 and 1962. If she is correct, Seuss was by this time a very well established figure in children’s literature, having had success with such treasures as And to Think That I Saw it on Mulberry Street (1937); The 500 Hats of Bartholemew Cubbins (1938); Horton Hatches the Egg (1940); and How the Grinch Stole Christmas (1957).Seuss had ventured into writing for children after a very successful career as a cartoonist. (In particular, his design of advertisements had proven lucrative.) Beginning in the late 1950s, however, his artistic and literary talents were to be employed in yet another direction, the Beginner Books that Random House would publish to foster reading interest among children in their primary school years. The challenge was to create an interesting picture book using the controlled vocabulary (200 to 300 very basic words) of the “Dick, Jane and Baby Sally” variety of primer. Seuss was up for the challenge. Certainly, The Cat in the Hat, also 1957, had astonishing success in this regard. It may well be that What Pet Should I Get? was another such attempt. In any case, its story line is simple: two children in a pet store face the dilemma of selecting just one of the vast array of adorable possibilities.Goldsmith and the editors at Random House have done their best to create the book Seuss might have intended. They have made decisions about not only which lines of text might best suit his drawings, but also the color palette he might have selected, the position and nature of the font, and so forth. The end result is mixed in terms of its literary impact. The drawings are pure Seuss; his signature is all over them. The color palette is, arguably, what he might have chosen. The text, however, is dull. It never lifts from the page—possibly because Seuss felt he must restrict his vocabulary choices. THEN . . . I saw a new kind! And they were good, too! How could I pick one? Now what should we do? We could only pick one. That is what my dad said, Now how could I make up that mind in my head? (page 18, unnumbered) This is scarcely lively, engaging Seuss. When he was at his best, his writing maintained a consistent beat, a measured foot, and, often, an internal rhyme. He repeated, distorted and created words in the cause of a rollicking rhythm. Consider this stanza describing the fiendish Grinch in flight with the holiday loot that he has stolen from Whoville. Three thousand feet up! Up the side of Mt. Crumpit, He rode with his load to the tiptop to dump it! “Pooh-Pooh to the Whos!” he was grinch-ish-ly humming. “They’re finding out now that no Christmas is coming! “They’re just waking up! I know just what they’ll do! “Their mouths will hang open a minute or two “Then the Whos down in Who-ville will all cry BOO-HOO!The passage simply spirits the reader along. Sadly, What Pet Should I Get? does not contain this kind of writing. Still, we must treasure the manuscript. It gives us insight into the artist at work: what he envisioned, how he began, what he decreed to be finished or not. This early draft of What Pet Should I Get? was probably not quite what Seuss had hoped it would be. It was not perfect. It was not finished. He set it aside. The inescapable conclusion is that he, who gave much to his readers, demanded much of himself.Rating: Not applicable in this caseReviewer: Leslie AitkenLeslie Aitken’s long career in librarianship involved selection of children’s literature for school, public, special, and university collections. She is a former Curriculum Librarian at the University of Alberta.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.008
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.061
Threshold uncertainty score0.205

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.008
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0010.001
Science and technology studies0.0020.002
Scholarly communication0.0030.004
Open science0.0010.002
Research integrity0.0030.008
Insufficient payload (model declined to judge)0.0610.049

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.022
GPT teacher head0.274
Teacher spread0.252 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2015
Admission routes2
Has abstractyes

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