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Record W2336619002

Scripting Resistance: Governance through Theatre of the Oppressed

2016· dissertation· en· W2336619002 on OpenAlexfundno aff
Adam C. Malloy

Bibliographic record

VenueUWSpace (University of Waterloo) · 2016
Typedissertation
Languageen
FieldArts and Humanities
TopicHistorical and Contemporary Political Dynamics
Canadian institutionsnot available
FundersSocial Sciences and Humanities Research Council of CanadaKing's University CollegeUniversity of WaterlooMcMaster UniversityShastri Indo-Canadian Institute
KeywordsScripting languageResistance (ecology)Corporate governanceComputer sciencePolitical scienceProgramming languageManagementEconomicsBiology
DOInot available

Abstract

fetched live from OpenAlex

Theatre of the oppressed (TO) emerged out of a rights-repressive context to challenge the way cultural institutions are created and reproduced, and to enact alternative social and political relationships. More than a form of art, it is an interactive medium of communication, used by communities to engage in critical analysis of social, political, economic and ecological relationships. Rooted in the foundational principles of Paulo Freire’s (2005 [1970]) Pedagogy of the Oppressed, its purpose is to “humanize” relationships by identifying and deconstructing the many and complex ways in which some people are subordinated to others. Its theatrical mechanisms (improvised role play, for example) turn contextual analysis into praxis, recreating oppressive scenarios, and enacting alternative outcomes. As such it becomes a “rehearsal for reality,” generating the critical knowledge needed for oppressed people to confront their subordination, backed by the solidarity of their community. 
\nThis research is an examination of the ways in which TO practitioners and communities envision and enact alternative social relationships, thereby embodying the emancipatory potential of human rights theory. I caution that not all theatre of the oppressed is equally emancipatory, but where it meets its liberatory potential, participants manifest an empowering embodiment of cultural resistance in four ways:
\n1.\tTheatre of the oppressed practitioners engage with communities in processes of intentional praxis, equipping participants with the skills for critical social analysis.
\n2.\tPractitioners are developing a provocative meshwork of solidarity to collectively resist the subordinating effects of disparate cultural power.
\n3.\tTheatre of the oppressed communities construct an emancipatory discourse which resonates among socially diverse and politically disparate groups around the world. I propose that theirs is a manifestation of counterhegemonic globalization.
\n4.\tTheatre of the oppressed participants reorient their ontologies, and decolonize their epistemologies. By negotiating the terms of co-existence in innovative ways, they bridge the gap between human rights theory and practice.
\nParticipants in theatre of the oppressed activities collectively challenge and redefine the norms which dominate cultural and political institutions. As such, their work embodies a promising demonstration of how those who are oppressed can change the way they understand and enact their political actions.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.769
Threshold uncertainty score0.987

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.015
GPT teacher head0.179
Teacher spread0.164 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations5
Published2016
Admission routes1
Has abstractyes

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