James Tweedie,<i>The Age of New Waves: Art Cinema and the Staging of Globalization</i>.
Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
Judging by the capacity audience at a workshop on ‘The world cinema turn in film studies’ at the 2015 Society for Cinema Studies Conference in Montréal, debates around ‘global art cinema’ continue to be of keen interest to scholars. No doubt many had gathered to hear Dudley Andrew, who unfortunately made a last-minute cancellation. By imagining world cinema as more nuanced and multidimensional than it has traditionally been categorized, Andrew suggests in his 2004 essay, ‘An atlas of world cinema’, that ‘a wider conception of national image culture is around the corner, prophesied by phrases like “rooted cosmopolitanism” and “critical regionalism”’. 1 James Tweedie’s The Age of New Waves: Art Cinema and the Staging of Globalization exemplifies this new conception, connecting the core aesthetic principles of the French new wave to the new waves of China and Taiwan. Rather than thinking of the French new wave as an origin, the author sees the three cinemas as creating a feedback loop without hierarchy. This theory attempts to coalesce western and nonwestern cinemas within the same canon, disregarding national, cultural and political differences. Tweedie establishes globalization as the link that connects these cinemas, in particular the ‘urban, youth and consumer revolutions’ that formed all of them to one degree or another. In many ways this well-researched and theorized volume succeeds in breaking down old, Eurocentric taxonomies of film studies as well as bringing a fresh and welcome perspective to defining ‘world cinema’, a critical debate that continues to build interest.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.001 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it