Bibliographic record
Abstract
*FOUNDATIONS What it is Mapping chaos Turning points Periods Guilty, but with an explanation Traces You won't find... A hybrid *BEFORE FANTASMAGORIE Archaeology Phidias's animating chisel Representation The motion analysis Music The meaning of the implicit movement An object of philosophy Pre-history 1 Science, science, science Writing with light Pre-history 2 A static mirror? The flipbook Emile Reynaud Birth of the theatre optique The theatre optique and how it worked On with the lantern show Colour Music Frame-by-frame Arthur Melbourne-Cooper Walter Robert Booth Edwin S. Porter James Stuart Blackton *THE SILENT PIONEERS The Cradle Days of heaven and hell Culture Cinema Narrative, non-narrative Fantasmagorie The Fathers Emile Cohl Georges Melies The first abstract cinema Arnaldo Ginna Leopold Survage Winsor McCay Colour *SILENT AMERICA 1 The Fathers' Sons Comics, animation, cinema Birth of the industry Raoul Barre Cut-Insert-Replace John Randolph Bray The IFS Other American artists Willis O'Brien Instruments and language *SILENT AMERICA 2 The Fleischer Brothers Felix, Pat and Otto Messmer Terry and the Fables Bowers unbound Lantz's debut Bray, Hurd, Mintz Sarg and Dawley The young Walt Disney *SILENT EUROPE The individualists Great Britain Ireland France Lortac Advertisers and illustrators Germany: Animation in the Weimar Republic The matrix Walther Ruttmann Viking Eggeling Hans Richter Lotte Reiniger Austria Switzerland Denmark Storm P. Sweden Grogg the sailor man Other Swedish animators Norway Finland Spain Portugal Hungary The rest of Europe Russia/Soviet Union Ladislas Starewich After the revolution Ukraine *SILENT ASIA Japan The narrator *SILENT LATIN AMERICA Mexico Colombia Brazil Chile Argentina: the world's first animated feature film Quirino Cristiani *SILENT AFRICA Union of South Africa *SILENT OCEANIA Australia *THE GOLDEN AGE Steamboat Willie Sync or sink The non-concurrence factor Sound *AMERICA LAUGHS! Walt Disney the tycoon The fixed star Human or animal? Years of expansion The ones who made the magic Another Disney folly The pillar brother At Disney's animation declines The Twelve Rules of the Nine Men Animation heads west The masters' master Lantz, from the Rabbit to the Woodpecker Ub Iwerks Mintz, Krazy and Columbia Van Beuren Terrytoons and Mighty Mouse The Fleischers: Betty Boop, Popeye and two feature films Warner Brothers Tex Avery Bob Clampett Carl W. Stalling, musical animator Metro-Goldwyn-Mayer: Cat, Mouse, Tex Tashlin the wanderer The American avant-garde Animation in Canada *EUROPE Great Britain Len Lye France Anthony Gross Berthold Bartosch Alexandre Alexeieff Belgium The Netherlands Germany in Nazi time Hans Fischerkoesen The Brothers Diehl Heinz Tischmeyer Hans Held Wolfgang Kaskeline Avant-garde Oskar Fischinger Austria Switzerland Denmark Norway Sweden Czechoslovakia Poland Stefan and Franciszka Themerson Hungary George Pal Yugoslavia Italy Greece Spain Catalan vibrancy The Edad Dorada Barcelona's entrepreneurs Barcelonese feature-length films Madrid Valencia Portugal *SOVIET UNION Russia Ukraine Lithuania Azerbaijan Armenia Georgia *ASIA Japan Ofuji Noburo Masaoka Kenzo Kimura Hakuzan A Brave New World The changed frame around Mochinaga Tadahito and his legacy Ichikawa Kon China *LATIN AMERICA Mexico Colombia Venezuela Brazil Argentina *AFRICA Egypt Union of South Africa *
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.004 | 0.009 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.007 | 0.018 |
| Scholarly communication | 0.014 | 0.015 |
| Open science | 0.001 | 0.009 |
| Research integrity | 0.002 | 0.005 |
| Insufficient payload (model declined to judge) | 0.038 | 0.009 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".