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Record W2397364961 · doi:10.1093/ml/gcl103

L'Ecriture de la critique musicale au temps de Berlioz. By Emmanuel Reibel.

2007· article· fr· W2397364961 on OpenAlex
K. Ellis

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueMusic and Letters · 2007
Typearticle
Languagefr
FieldSocial Sciences
TopicLiterature, Musicology, and Cultural Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsSubject (documents)CriticismLiteratureIdeologyRhetorical questionPhilosophySilenceArtAesthetics

Abstract

fetched live from OpenAlex

At some level, reviewing always involves thinking about Venn diagrams: interrelationships between the author's intellectual milieu and probable readership, and those of the reviewer. It's a footnote thing: diagrams with a great deal of overlap can yield reviews where one forgets that the boundaries exist; those with fewer overlapping names often signal a new authorial perspective that can jolt a reviewer into a fruitful reassessment of a seemingly familiar subject. Emmanuel Reibel is aiming for the latter category of response: he wants to put forward a new, outsider, historiography that avoids both the preoccupations of what he calls ‘[l]a musicologie américaine’ with questions of ideology, and the ‘monumentalist’ concentration of the literary community on those critics who write best—figures such as Berlioz and Jules Janin (p. 16). Actively distancing himself from a swath of ‘American’ (actually including Canadian and Australian) scholars whose work stretches over forty years, he sets his sights on providing a structural analysis of the forms, subject-positioning, rhetorical ploys, and tone of the written texts of music criticism. To parody a musicological cliché, he wants to study the workings of ‘the criticism itself’.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.129
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.001
Science and technology studies0.0010.002
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.011
GPT teacher head0.272
Teacher spread0.261 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it