MétaCan
Menu
Back to cohort
Record W2397364961 · doi:10.1093/ml/gcl103

L'Ecriture de la critique musicale au temps de Berlioz. By Emmanuel Reibel.

2007· article· fr· W2397364961 on OpenAlexaboutno aff
K. Ellis

Bibliographic record

VenueMusic and Letters · 2007
Typearticle
Languagefr
FieldSocial Sciences
TopicLiterature, Musicology, and Cultural Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsSubject (documents)CriticismLiteratureIdeologyRhetorical questionPhilosophySilenceArtAesthetics

Abstract

fetched live from OpenAlex

At some level, reviewing always involves thinking about Venn diagrams: interrelationships between the author's intellectual milieu and probable readership, and those of the reviewer. It's a footnote thing: diagrams with a great deal of overlap can yield reviews where one forgets that the boundaries exist; those with fewer overlapping names often signal a new authorial perspective that can jolt a reviewer into a fruitful reassessment of a seemingly familiar subject. Emmanuel Reibel is aiming for the latter category of response: he wants to put forward a new, outsider, historiography that avoids both the preoccupations of what he calls ‘[l]a musicologie américaine’ with questions of ideology, and the ‘monumentalist’ concentration of the literary community on those critics who write best—figures such as Berlioz and Jules Janin (p. 16). Actively distancing himself from a swath of ‘American’ (actually including Canadian and Australian) scholars whose work stretches over forty years, he sets his sights on providing a structural analysis of the forms, subject-positioning, rhetorical ploys, and tone of the written texts of music criticism. To parody a musicological cliché, he wants to study the workings of ‘the criticism itself’.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.010
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.018
Threshold uncertainty score0.053

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.010
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0020.001
Science and technology studies0.0040.006
Scholarly communication0.0070.004
Open science0.0010.002
Research integrity0.0040.005
Insufficient payload (model declined to judge)0.0070.004

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.011
GPT teacher head0.272
Teacher spread0.261 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2007
Admission routes1
Has abstractyes

Explore more

Same venueMusic and LettersSame topicLiterature, Musicology, and Cultural AnalysisFrench-language works237,207