“Shipwreck of Faith”: The Religious Vision and Ideas of Wole Soyinka
Bibliographic record
Abstract
This article investigates the religious vision and ideas of Wole Soyinka in selected non-fiction writings. While African spirituality is deployed as a literary trope in Soyinka's creative works and dramatic masterpieces such as Death and the King's Horseman and A Dance of the Forests, scholars have given scarce attention to his engagement with religion in his non-fiction productions. To highlight that engagement, first, this article proposes the notions of radical skepticism and religious inclusivism as symbolic markers to describe Soyinka's perspective on religion and his shipwreck of faith. His witness of religious violence and fanaticism in his home country of Nigeria and the host countries outside of his native land has shaped his religious experience and altered his religious vision. To call Wole Soyinka a radical agnostic and religious inclusivist in the humanist tradition is to confront his uneasiness with and ambivalence toward religion that had marked both his adolescent and adult life. Second, it argues that Soyinka's abandonment of his Anglican faith, the “imported religion” of his childhood and Nigerian parents, was a consequence of his re-evaluation of the merits and liberalism of his ancestral faith: the Yoruba religious tradition and spirituality. Third, it contends that Soyinka rejected the Christian faith because of a theological crisis he encountered both as a teenager in Ake (his hometown) and as a student at the University College in Ibadan. The article resituates Soyinka's religious sensibility not in the tradition of the Abrahamic religions but within the religious world view and cultural framework of African indigenous faiths and spirituality. Finally, it presents Wole Soyinka as a religious critic and radical theistic humanist.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.001 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.000 |
| Science and technology studies | 0.004 | 0.007 |
| Scholarly communication | 0.003 | 0.002 |
| Open science | 0.000 | 0.001 |
| Research integrity | 0.001 | 0.002 |
| Insufficient payload (model declined to judge) | 0.001 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".