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Record W2416149466 · doi:10.1093/ahr/121.3.971

Sharon Ann Musher.<i>Democratic Art: The New Deal’s Influence on American Culture</i>.

2016· article· en· W2416149466 on OpenAlexaff
Christine Bold

Bibliographic record

VenueThe American Historical Review · 2016
Typearticle
Languageen
FieldArts and Humanities
TopicHistorical Studies and Socio-cultural Analysis
Canadian institutionsUniversity of Guelph
Fundersnot available
KeywordsDemocracyTreasuryAdministration (probate law)MuralThe artsState (computer science)Visual artsPerforming artsNew DealArts administrationVisual cultureSection (typography)Point (geometry)ManagementSociologyPublic administrationPolitical scienceArtLawPaintingPoliticsBusinessEconomicsAdvertisingComputer scienceArts in education

Abstract

fetched live from OpenAlex

The New Deal remains, as Sharon Ann Musher puts it, “the golden age” (213) of federal arts funding in the U.S. Beginning in May 1935, the Works Progress Administration (WPA) mounted work-relief projects (collectively known as Federal One) for almost forty thousand destitute writers, theater practitioners, musicians, and visual artists. Overlapping with that effort were the Treasury Department’s mural programs and the Resettlement Administration’s (RA) photography section. This support for art as legitimate labor had unprecedented geographical and conceptual breadth—project offices in every region, every state, and many municipalities across the country, and vastly differing degrees of artistic skill among employees—to the point that assembling a coherent analysis of the whole is a distinct challenge. The usual scholarly strategy has been to focus on a single project. In Democratic Art: The New Deal’s Influence on American Culture, Musher follows the road less taken, traveling widely across the full gamut. Herein lies the main contribution of her judicious volume.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Review · Consensus signal: Review
Teacher disagreement score0.019
Threshold uncertainty score0.038

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.002
Science and technology studies0.0020.002
Scholarly communication0.0030.003
Open science0.0010.001
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0070.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.023
GPT teacher head0.247
Teacher spread0.224 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreReview

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2016
Admission routes1
Has abstractyes

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