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Record W2416743335 · doi:10.3138/md.0792r

Meta-Melodrama: Branden Jacobs-Jenkins Appropriates Dion Boucicault’s <i>The Octoroon</i>

2016· article· en· W2416743335 on OpenAlex
Verna A. Foster

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueModern Drama · 2016
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsIndictmentContext (archaeology)ArtLiteraturePerformance artAestheticsVisual artsHistoryArt historyLaw

Abstract

fetched live from OpenAlex

In adapting the nineteenth-century melodrama The Octoroon, Jacobs-Jenkins both satirizes Boucicault’s racial assumptions and emulates his aesthetic principles to produce a meta-melodrama, a play that at once celebrates and critiques its own form while providing a stinging indictment of racial attitudes in the twenty-first century. This essay draws on both the published script and audience responses to Soho Repertory Theatre’s two stagings of the play in 2014 and 2015 gleaned from reviews, blogs, and interviews. The contemporary context and cross-racial casting of An Octoroon ironize and adapt the meaning of Boucicault’s play, making it appropriate for the twenty-first century. Through his use of italicization, Brechtian quotation, the new contemporary dialogue he writes for the slave characters, and his shocking updated sensation scene, Jacobs-Jenkins induces his audience to question their own and each other’s racial reactions even as they are caught up in the play.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.885
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0020.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.051
GPT teacher head0.228
Teacher spread0.177 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it