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Loïe Fuller’s Serpentines and Poetics of Self-Abnegation in the Era of Electrotechnics

2016· reference-entry· en· W2468764718 on OpenAlexaff
Izabella Pruska-Oldenhof

Bibliographic record

Venuenot available
Typereference-entry
Languageen
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsToronto Metropolitan University
Fundersnot available
KeywordsPoeticsIndividualismMeaning (existential)AestheticsDanceSociologyArtLiteratureArt historyPoetryPhilosophyLawEpistemologyPolitical science

Abstract

fetched live from OpenAlex

This chapter argues that artists’ self-abnegation was central to the compositional core of Loïe Fuller’s Serpentine Dance performances, and that it also extended to her life. Fuller’s performances belong to the tradition of artists at the turn of last century, who began to challenge the authority of artist/author over the artwork and its intended meaning, giving over this process to the audience/readers. Fuller’s dances in part recapitulated Arthur Rimbaud’s statement “J’est un autre”, embodying a transformation through electrotechnics shared by her viewers. This chapter contends that the emphasis on participation is inherent in electric technology, as is the repudiation of individual perspective and the loss of individualism. It concludes with the claim that Fuller’s hybrid-media approach in her performances, part of the excitement about then futuristic electric technology at the 1900 Expo in Paris, also anticipated twenty-first-century new media performances and new media installations, and share with these works an aesthetic originating in artistic self-abnegation.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.007
Threshold uncertainty score0.023

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0050.015
Scholarly communication0.0070.005
Open science0.0000.002
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0070.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.022
GPT teacher head0.224
Teacher spread0.202 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2016
Admission routes1
Has abstractyes

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