MétaCan
Menu
Back to cohort
Record W2480917311

A Sticky Subject: New Media Popular Entertainments

2010· article· en· W2480917311 on OpenAlexaffabout
Danielle I. Szlawieniec-Haw

Bibliographic record

VenueFigshare · 2010
Typearticle
Languageen
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsYork University
Fundersnot available
KeywordsLivenessSubject (documents)Space (punctuation)Relation (database)The InternetPerforming artsMedia studiesSociologyArtVisual artsAestheticsComputer scienceWorld Wide Web
DOInot available

Abstract

fetched live from OpenAlex

While internet performances may, at first glance, seem to lack the bodies together in a space that has been considered a hallmark of popular entertainments, a critical look at new media performances reveals a strong link between them and traditional popular entertainments. In addition, changing notions of the body, liveness, and space have complicated even the idea of what “live bodies interacting in real space” in fact means. These concepts have been preliminarily explored in relation to websites such as YouTube, but newer sites like Stickam challenge notions of liveness and the body more clearly. With the ability to interact with multiple viewers over webcam in the same “room” simultaneously while watching the main performer or performers, Stickam creates a live as well as mediatized space for entertainments that both does and does not contain live bodies. The short acts linked together into performances intended for the people, as found in the tradition of popular entertainments, are now frequently a component of new media performances. Danielle I. Szlawieniec-Haw is a professional actor and writer. She is also a PhD candidate in Theatre Studies at York University, Ontario, Canada where she is pursuing her studies into the effects and ethics of representing trauma.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.008
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.019
Threshold uncertainty score0.063

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.008
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.003
Science and technology studies0.0040.010
Scholarly communication0.0100.007
Open science0.0010.005
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0190.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.051
GPT teacher head0.231
Teacher spread0.180 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2010
Admission routes2
Has abstractyes

Explore more

Same venueFigshareSame topicCinema and Media StudiesFrench-language works237,207