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Record W2482359006 · doi:10.1017/ccol9780521833479.008

Orchestral music: symphonies and concertos

2005· book-chapter· en· W2482359006 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueCambridge University Press eBooks · 2005
Typebook-chapter
Languageen
FieldArts and Humanities
TopicMusicology and Musical Analysis
Canadian institutionsUniversity of Toronto
Fundersnot available
KeywordsSymphonyConcertoLiteratureMusicalArtOriginalityPeriod (music)Art historyAestheticsPianoLawPolitical science

Abstract

fetched live from OpenAlex

During the span of almost forty years that Haydn wrote symphonies, the nature of the genre changed dramatically, from a type of composition that served various musical and social functions of the ancien régime to a highly defined genre that would stand at the center of musical life for the next two centuries. New concert societies late in the eighteenth century broadened the class-base of the symphonic audience, and Haydn proved extraordinarily adept at making the transition. Throughout his career he gradually reshaped the nature of the symphony, and in the end provided an enduring model for future practitioners of the genre. Symphonies teemed in Vienna during the mid-eighteenth century, and composers such as Matthias Monn, Wagenseil, Dittersdorf, and Hofmann provided much originality. Nevertheless, we owe the emergence of the symphonic tradition primarily to Haydn, and even major composers of the twentieth century, Prokofiev among them, have acknowledged that debt. As a composer of concertos Haydn's achievements are less striking, although because of the prominence of the symphonies we tend to underestimate the concertos.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.940
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.045
GPT teacher head0.187
Teacher spread0.142 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it