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Record W2496329302

The German Body in German Children’s War Art: Fighting the Inept Enemy in World War One

2016· article· en· W2496329302 on OpenAlexaff
Carolyn Kay

Bibliographic record

VenueISCHE 2016 · 2016
Typearticle
Languageen
FieldSocial Sciences
TopicEducator Training and Historical Pedagogy
Canadian institutionsTrent University
Fundersnot available
KeywordsGermanWorld War IISpanish Civil WarOperational level of warInterwar periodSociologyLawVisual artsHistoryPolitical scienceArtRed Army's tactics in World War II
DOInot available

Abstract

fetched live from OpenAlex

My paper will consider German wartime propaganda and pedagogy from 1914-1916, which influenced young schoolchildren (aged 5-14) to create drawings and paintings of Germany’s soldiers in World War One. In this art, the children drew bodies of German soldiers as tough, heroic, on the move, armed with powerful weapons, and part of a superior military movement; their enemies (French, Russian, British soldiers) embodied disorder, backwardness, ineptitude, and deadly weakness. The artwork by these schoolchildren thus revealed the intense propaganda of the war years, and the children’s tendency to see the German military as the most accomplished combatant in the war. Implicit here too were ideas of Germany’s cultural supremacy. During the first two years of the war, in the Volksschule of the nation, many children did such art under the supervision of teachers who passionately embraced the nation and the war cause. Within the classroom, teachers directed students to imagine the war by drawing scenes of battles, soldiers and nurses, or by making postcards and models. Some of these teachers had been influenced by the Kunsterziehungsbewegung (the arts’ education movement) and thus encouraged children’s creativity in art of the war years. In this pedagogical wartime environment the young student became actively engaged in creative learning and study about the war, expressing romantic ideas of the indomitable German soldier. Examples of such work were shown in the exhibition of 1915 in Berlin entitled “ Schule und Krieg (School and War),” in another exhibit of 1915 in Vienna (arranged by art teacher Richard Roethe), and in hundreds of drawings done in a school close to Hamburg by students of Schule III, Wilhelmsburg. I will analyze the depiction of the body in these sources and also consider the history of art instruction in German schools. This paper will thus address students’ intense connectedness to the war and their imagining of the heroic German body. Sources: Geissler, Gert. Schulgeschichte in Deutschland. Frankfurt: Peter Lang, 2013. Kolb, Gustav. “Der Zeichenunterricht und der Krieg.” Kunst und Jugend. Heft IV, April 1915: 49-54. Pallat, Ludwig. “Kriegszeichnungen von Schuler.” Deutsche Bl atter fur Zeichen-und Kunstunterricht, 20 Jahrgang, 1. Juli 1915, No. 7: 123-124. Rothe, Richard. Die Kinder und der Krieg. Wien: A. Haase, 1915. Stern, William, ed., Jugendliches Seelenleben und Krieg . Leipzig: Johann Ambrosius Barth, 1915. Zentralinstitut fur Erziehung und Unterricht, Sonderausstellung Schule und Krieg . Berlin, 1915.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.013
Threshold uncertainty score0.026

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.001
Science and technology studies0.0050.008
Scholarly communication0.0050.003
Open science0.0000.003
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0040.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.039
GPT teacher head0.345
Teacher spread0.306 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2016
Admission routes1
Has abstractyes

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