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Record W2507918094 · doi:10.18192/rceh.v40i1.1604

Álbum de familia: escritura del trauma y memoria fotográfica en narraciones argentinas recientes

2015· article· es· W2507918094 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.
venuePublished in a venue whose home country is Canada.

Bibliographic record

VenueRevista Canadiense de Estudios Hispánicos · 2015
Typearticle
Languagees
FieldPsychology
TopicMemory, violence, and history
Canadian institutionsUniversity of Ottawa
Fundersnot available
KeywordsHumanitiesArtPersonaArt history

Abstract

fetched live from OpenAlex

Las fotografías han ocupado un lugar central en los reclamos de verdad justicia de los familiares de víctimas del terrorismo de Estado en Argentina y en su lucha por mantener viva la memoria. Este artículo analiza el uso de la fotografía en tres relatos “auto/biográficos” recientes: Diario de una Princesa Montonera –110% Verdad– de Mariana Eva Pérez (2012); ¿Quién te creés que sos? de Ángela Urondo Raboy (2012) y Aparecida de Marta Dillon (2015). En los tres casos, la fotografía se erige como objeto “mágico”, al que se aferra la memoria para reconstruir, a partir de ese instante congelado, toda una historia de vida familiar. Las fotos circulan de texto en texto y forman una especie de “álbum de familia” en el que las imágenes vienen a reponer la presencia de quienes ya no pueden dar cuenta de ellas en primera persona. Leer los usos que cada texto hace de los registros fotográficos puede ser una manera de comprender proyectos de escritura singulares que apuntan a recomponer una memoria que transita entre lo privado y lo público, entre los lazos rotos de la afectividad doméstica y familiar, y aquellos otros que se tienden en las luchas colectivas por la memoria.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.002
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.465
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0030.002
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0020.001
Bibliometrics0.0010.001
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0010.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.032
GPT teacher head0.285
Teacher spread0.253 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it