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Record W2508792505 · doi:10.18192/rceh.v40i1.1601

Los albores de la meta-memoria histórica en el teatro español

2015· article· es· W2508792505 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.
venuePublished in a venue whose home country is Canada.

Bibliographic record

VenueRevista Canadiense de Estudios Hispánicos · 2015
Typearticle
Languagees
FieldPsychology
TopicHistorical and Modern Theater Studies
Canadian institutionsUniversity of Ottawa
Fundersnot available
KeywordsHumanitiesArt

Abstract

fetched live from OpenAlex

Sirviéndome de las teorías de Jacques Derrida, Cathy Caruth, Linda Hutcheon, Jan Assman y Pierre Nora, entre otros, examino las maneras en las cuales tres dramaturgos de distintas realidades – un autor consagrado, Antonio Buero Vallejo; un joven prometedor, Jerónimo López Mozo; y un exiliado, José Antonio Rial – dieron pie a lo que denomino la meta-memoria histórica: la confrontación manifiesta y el cuestionamiento teatral de las divergencias, sombras y verdades polifacéticas asociadas con las memorias colectivas simultáneas y posteriores a la Guerra Civil española. Concretamente, los dramaturgos utilizan la memoria explícita – expresada mediante la anacronía, la metateatralidad, y/o el recurso a personajes que son muertos vivientes –, con el fin de resaltar la continua reconstrucción de la historia colectiva. En las postrimerías del franquismo, sus tres piezas respectivas, El tragaluz (1967), Guernica (1969) y La muerte de García Lorca (1969), entablan un diálogo intertextual, fragmentado e indeterminado entre el pasado y el presente. Estas tres obras auguran una estética que cobra cada vez más relieve en el teatro español, a medida que se ha ido tanteando dicho pasado traumático en España durante las últimas cuatro décadas.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.501
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0030.001
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0020.001
Bibliometrics0.0000.001
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.034
GPT teacher head0.314
Teacher spread0.280 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it