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Record W25098757 · doi:10.3138/cjfs.14.1.69

Brakhage’s Tarkovsky and Tarkovsky’s Brakhage: Collectivity, Subjectivity, and the Dream of Cinema

2005· article· fr· W25098757 on OpenAlexvenueno aff
Jerry White

Bibliographic record

VenueCanadian Journal of Film Studies · 2005
Typearticle
Languagefr
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesMovie theaterArtSubjectivityArt historyDreamPhilosophy

Abstract

fetched live from OpenAlex

Malgré leurs différences évidentes, les films de Stan Brakhage et Andrei Tarkovsky présentent d’importantes similitudes tant formelles que thématiques. Notre article tire son argument de l’hommage que Brakhage rendait à Tarkovsky au Festival du film de Telluride en 1983, dans lequel il affirmait que le grand artiste de cinéma doit raconter les histoires de sa tribu, tout en demeurant personnel et en travai llant un matériau onirique. Notre hypothèse, selon laquelle ces cinéastes ont plus en commun que les critiques ne l’ont généralement reconnu, s’inspire aussi de la suggestion de J. Hoberman que Brakhage et Tarkovsky sont tous deux des surréalistes qui réinventent le langage cinématographique, des shamans nationaux à tendances religieuses et solipsistes.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.005
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.007
Threshold uncertainty score0.021

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.005
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0040.017
Scholarly communication0.0060.006
Open science0.0010.003
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0060.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.024
GPT teacher head0.231
Teacher spread0.207 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations16
Published2005
Admission routes1
Has abstractyes

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Same venueCanadian Journal of Film StudiesSame topicCinema and Media StudiesFrench-language works237,207