MétaCan
Menu
Back to cohort
Record W2512444678 · doi:10.1525/mp.2016.34.1.1

Analysis, Performance, and Tension Perception of an Unmeasured Prelude for Harpsichord

2016· article· en· W2512444678 on OpenAlexaff
Meghan Goodchild, Bruno Gingras, Stephen McAdams

Bibliographic record

VenueMusic Perception An Interdisciplinary Journal · 2016
Typearticle
Languageen
FieldComputer Science
TopicMusic Technology and Sound Studies
Canadian institutionsMcGill University
Fundersnot available
KeywordsHarpsichordTension (geology)PerceptionAnticipation (artificial intelligence)PsychologyAcousticsComputer scienceArtificial intelligencePhysicsClassical mechanics

Abstract

fetched live from OpenAlex

This study focuses on the relationships between music analysis, performance, and tension perception. Part 1 examines harpsichordists’ analyses and performances of an unmeasured prelude—a semi-improvisatory genre open to interpretive freedom. Twelve harpsichordists performed the Prélude non mesuré No. 7 by Louis Couperin on a harpsichord equipped with a MIDI console and submitted a formal analysis. Using a curve-fitting approach, we investigated the correspondence between analyzed segmentations and group-final lengthening. We found that harpsichordists also employed “group-final anticipation,” involving deceleration before, and acceleration through, analyzed boundaries. In Part 2, three listener groups (harpsichordists, musicians, and nonmusicians) continuously rated tension for 12 performances. In contrast to measured music, local tension peaks, rather than troughs, occurred at boundaries featuring group-final lengthening. Associations were found between global tempo and tension ratings, with significant differences among the three listener groups. Performers expressed the large-scale structure through the amount of tempo variability, which was also reflected in tension rating variability.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.914
Threshold uncertainty score0.649

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0010.000
Scholarly communication0.0000.002
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.027
GPT teacher head0.299
Teacher spread0.272 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designObservational
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations10
Published2016
Admission routes1
Has abstractyes

Explore more

Same venueMusic Perception An Interdisciplinary JournalSame topicMusic Technology and Sound StudiesFrench-language works237,207