Why this work is in the frame
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Bibliographic record
Abstract
RECEBIDO EM 27 FEV 2016 APROVADO EM 01 ABR 2016 O artigo trata do único texto de ficção científica de Rachel de Queiroz, o conto “Ma-Hôre”, por meio da discussão de duas apropriações complementares: a apropriação por parte de Queiroz de procedimentos da ficção científica e a que o protagonista do conto efetua de uma cultura hegemônica. Assim, é traçado um questionamento acerca da constituição de nosso cânone literário, bem como da maneira com que tem sido tradicionalmente avaliada a relação entre a produção literária brasileira e a estrangeira. O artigo também trata do caráter atípico do conto “Ma-Hôre” em relação ao restante da produção literária de Rachel de Queiroz. Na abordagem das questões relativas à constituição de cânone literário brasileiro, é levada em conta a noção de “sistema literário” apresentada por Antonio Candido, bem como o caráter nacionalista da produção literária nacional. O artigo se ampara na conceituação da ficção científica como gênero literário proposta por Darko Suvin, e também em considerações críticas de Mary Elizabeth Ginway sobre o conto “Ma-Hôre”. // The paper discusses the only science fiction work written by Rachel de Queiroz, the short-story “Ma-Hôre”. It discusses two complementary appropriations: the one promoted by Queiroz of the procedures of the science fiction and the one promoted by the short-story protagonist of a hegemonic culture. Thus, it is traced a questioning of our literary canon and of the relationship between the Brazilian literary production and the foreign literary production as it has been traditionally evaluated. The article deals with the atypical characteristics of the short-story “Ma-Hôre” in relation to the regionalist body of work of Rachel de Queiroz. In the approach of the constitution of the Brazilian literary canon, it is taken into account the notion of “literary system” by Antonio Candido, as well as the nationalist characteristics of the national literary production. The article uses the notion of science fiction as a literary genre proposed by Darko Suvin and discusses Mary Elizabeth Ginway’s reading of the short-story “Ma-Hôre”. DOI: 10.12957/abusoes.2016.25721
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.013 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it