El archivo de música electroacústica latinoamericana… diez años después
Bibliographic record
Abstract
espanolLa creacion musical con medios electroacusticos tiene una larga, interesante y prolifica historia en America Latina. Muchos de los compositores que han nacido o vivido en la region desarrollaron una destacada tarea en el campo de la musica electroacustica, comenzando sus actividades de experimentacion y creacion hace alrededor de sesenta anos, en algunos casos. Sin embargo, la posibilidad de acceder a grabaciones e informacion relativa a este ambito ha sido siempre dificil, tanto para educadores, compositores, interpretes, investigadores y estudiantes como para el publico en general. En un esfuerzo por preservar, documentar y difundir al menos parte de la creacion musical realizada con medios electroacusticos por compositores nacidos en America Latina, o claramente vinculados con esta region, fue creado un archivo en la Fundacion Daniel Langlois para el Arte, la Ciencia y la Tecnologia de Montreal hace casi una decada. Desde entonces es consultado ampliamente y ha facilitado la recuperacion y el reconocimiento de la obra de compositores cuyos trabajos habian sido olvidados o perdidos, y ayuda asi a la memoria colectiva a valorar los logros y las dificultades de quienes nos precedieron, para comprender mejor el presente, y pensar nuestro futuro. catalaLa creacio musical amb mitjans electroacustics te una historia llarga, interessant i prolifica a l'America Llatina. Molts dels compositors que han nascut o viscut a la regio van desenvolupar una destacada tasca en el camp de la musica electroacustica, en alguns casos comencant les seves activitats d'experimentacio i creacio fa cap a 60 anys. No obstant aixo, la possibilitat d'accedir a enregistraments i informacio relativa a aquest ambit ha estat sempre dificil, tant per a educadors, compositors, interprets, investigadors i estudiants com per al public en general. En un esforc per a preservar, documentar i difondre almenys una part de la creacio musical feta amb mitjans electroacustics per compositors nascuts a l'America Llatina, o clarament vinculats amb aquesta regio, es va crear un arxiu a la Fundacio Daniel Langlois per a l'Art, la Ciencia i la Tecnologia de Mont-real fa gairebe una decada. Des de llavors es consultat ampliament i ha facilitat la recuperacio i el reconeixement de l'obra de compositors els treballs dels quals havien estat oblidats o perduts, i d'aquesta manera ha ajudat la memoria col·lectiva a valorar els assoliments i les dificultats dels qui ens van precedir, per a comprendre millor el present i pensar el nostre futur. EnglishElectroacoustic music has a long, interesting and rich tradition in Latin America. Certain outstanding composers who were born or lived in this region have been experimenting and creating in the field of electroacoustics since as far back as 60 years ago. However, it has always been difficult for educators, composers, performers, researchers, students and the general public to access recordings and information related to these composers and their work. In an effort to preserve, document and make known at least some creations by electroacoustic composers born in or associated with Latin America, an archive was created a decade ago at the Daniel Langlois Foundation for Art, Science and Technology in Montreal. This widely consulted archive has facilitated the recovery and recognition for our collective memory of near-forgotten works and their composers. By allowing us to assess the achievements and obstacles overcame by those who preceded us it will help us better understand the present and consider the future.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.001 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.002 | 0.003 |
| Science and technology studies | 0.004 | 0.003 |
| Scholarly communication | 0.005 | 0.001 |
| Open science | 0.000 | 0.002 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.022 | 0.003 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".