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Record W2536687530 · doi:10.7202/1037328ar

Quand le corps réduit au silence répond : traumatismes, contre-mélodies et « objets voix » dans la pièce Krapp’s Last Tape1

2016· article· fr· W2536687530 on OpenAlexaffvenue
Anna Sigg, Janine Léopold

Bibliographic record

VenueL’Annuaire théâtral Revue québécoise d’études théâtrales · 2016
Typearticle
Languagefr
FieldArts and Humanities
TopicSamuel Beckett and Modernism
Canadian institutionsMcGill University
Fundersnot available
KeywordsHumanitiesArtSilence

Abstract

fetched live from OpenAlex

Krapp’s Last Tape ( La dernière bande ) de Beckett soulève la question de ce qu’il advient de la voix silencieuse du traumatisme si on l’enregistre. En silence, nous « entendons » les échos post-traumatiques et les contre-mélodies du corps traumatisé de Krapp – une réverbération somatique et technologiquement médiatisée que Mladen Dolar appelle l’« objet voix ». La voix émanant du magnétophone prend la fonction curative du thérapeute qui fixe en silence son patient traumatisé, l’incitant à entrer dans un débat avec la reconstitution viscérale de son traumatisme. Les objets voix enregistrés de Krapp, comme son rire, sa toux et ses silences, sont des avatars d’une contre-mélodie; ils servent d’ancre réconfortante et rendent sa blessure plus accessible.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Science and technology studies, Insufficient payload (model declined to judge)
Consensus categoriesMeta-epidemiology (narrow), Science and technology studies
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.920
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0020.002
Meta-epidemiology (broad)0.0020.001
Bibliometrics0.0000.000
Science and technology studies0.0020.004
Scholarly communication0.0010.002
Open science0.0020.000
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0010.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.049
GPT teacher head0.252
Teacher spread0.203 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; both teacher heads agree on what is shown here.

Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2016
Admission routes2
Has abstractyes

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Same venueL’Annuaire théâtral Revue québécoise d’études théâtralesSame topicSamuel Beckett and ModernismFrench-language works237,207