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Record W2544165455 · doi:10.1111/lic3.12345

Collection, Exhibition and Evolution: The Romantic Museum

2016· article· en· W2544165455 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueLiterature Compass · 2016
Typearticle
Languageen
FieldArts and Humanities
TopicMuseums and Cultural Heritage
Canadian institutionsToronto Metropolitan University
Fundersnot available
KeywordsRomanceExhibitionMetaphorRomanticismEnlightenmentOrderlinessPeriod (music)LiteratureNarrativeFolkloreHistoryArtVisual artsArt historyAestheticsPsychologyPsychoanalysisPhilosophy

Abstract

fetched live from OpenAlex

Abstract In the evolutionary pre‐history of the modern museum, the eclectic collections of the Romantic period tend to fall somewhere in between the early modern curiosity cabinet, the encyclopaedic enlightenment museum and the orderly public institutions of the later 19th century. This essay explores the place of the Romantic museum in that narrative and the usefulness of evolution as a metaphor for museum history, specifically in relation to questions of orderliness and the visual in the popular reception of museums in the period and in Darwin's engagement of those topics in On the Origin of Species (1859). A variety of late 18th‐century and early 19th‐century examples, and an eclectic cast of characters, are foregrounded: from the Duchess of Portland and her copious collections, to Rackstrow's museum of morbid curiosities, Sir Ashton Lever's Holophusikon (devoted largely to natural history) and the surgeon John Hunter's anatomical specimens. In these cases and others, the associative and imaginative capacities of the viewer are called upon to ‘make sense’ of the latent (dis)orderliness of things.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.864
Threshold uncertainty score0.808

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.013
GPT teacher head0.192
Teacher spread0.179 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it