House guests: The Grange 1817 to today
Bibliographic record
Abstract
Built by the Boulton family between 1817 and 1820, The Grange is Toronto's oldest remaining brick house and a national historic site. The Grange was bequeathed at the beginning of the twentieth century to become the home of Toronto''s first art museum. During the nineteenth century, The Grange was at the centre of this city's social and political activity. Today, with its collection of furniture, artifacts and art, it is an historic house museum and a unique part of the Art Gallery of Ontario. The house embodies the AGO''s development over the past century, when it grew to become the eighth largest art museum in North America. The works of several contemporary artists will be special 'guests' in The Grange, the Gallery's first home, in celebration of the Art Gallery of Ontario's first century and the fact that the Gallery was founded with the work of then living artists. The exhibition, which is entitled House Guests: Contemporary Artists in The Grange, provides the opportunity to interweave our past and our future. Drawing upon the continuous transformations that have characterized The Grange, its holdings and its social and cultural role, these artists have been invited to respond to this rich site with works that will be installed throughout the house. This co-mingling of historical and contemporary forces will reveal our artistic heritage as the living legacy from which many current artistic practices are fashioned. The exhibition will be accompanied by the publication of a book, featuring an essay about The Grange by Charlotte Gray, author of Sisters in the Wilderness. The artists participating in House Guests will provide commentary on their installations and the impact that the house and its place in Toronto's history and culture had on their creative process. -- Publisher's website.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.001 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.017 | 0.004 |
| Scholarly communication | 0.007 | 0.002 |
| Open science | 0.001 | 0.006 |
| Research integrity | 0.002 | 0.004 |
| Insufficient payload (model declined to judge) | 0.033 | 0.008 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".