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Record W2550581143 · doi:10.30535/mto.12.3.1

Just Intonation in Renaissance Theory and Practice

2006· article· en· W2550581143 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueMusic Theory Online · 2006
Typearticle
Languageen
FieldArts and Humanities
TopicMusicology and Musical Analysis
Canadian institutionsWestern University
Fundersnot available
KeywordsThe RenaissanceIntonation (linguistics)ReputationMusic theoryArtSociologyEpistemologyPhilosophyAestheticsLiteratureLinguisticsMusicalArt historySocial science

Abstract

fetched live from OpenAlex

Just intonation has a reputation as a chimerical, theoretical system that simply cannot work in practice. This is based on the assessment of most modern authorities and supported by misgivings expressed during the Renaissance when the practice was supposedly at its height. Looming large among such misgivings are tuning puzzles printed by the 16th-century mathematician, Giovanni Battista Benedetti. However, Renaissance music theorists are so unanimous in advocating the simple acoustical ratios of Just intonation that it seems clear that some reconciliation must have occurred between the theory and practice of it. This article explores the basic theory of Just intonation as well as problematic passages used to deny its practicability, and proposes solutions that attempt to satisfy both the theory and the ear. Ultimately, a resource is offered to help modern performers approach this valuable art.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: Theoretical or conceptual
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.485
Threshold uncertainty score0.998

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0030.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.038
GPT teacher head0.272
Teacher spread0.234 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it