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Record W2559938927 · doi:10.1007/978-1-137-60139-1_2

National Myth and the First World War

2016· book-chapter· en· W2559938927 on OpenAlexaboutno aff
Peter Grant

Bibliographic record

VenuePalgrave studies in the history of subcultures and popular music · 2016
Typebook-chapter
Languageen
FieldSocial Sciences
TopicWorld Wars: History, Literature, and Impact
Canadian institutionsnot available
Fundersnot available
KeywordsMythologyNationalismDialogical selfWorld War IIRelation (database)Spanish Civil WarHistorySociologyAestheticsMedia studiesLiteraturePolitical scienceArtLawEpistemologyPoliticsPhilosophyComputer science

Abstract

fetched live from OpenAlex

Introduces Anderson’s concept of ‘imagined communities’ and nationalism in relation to the First World War. Briefly looks at nationalism in music and introduces Lipsitz’s important concept (adapted from Bakhtin) that popular music is dialogical. Outlines what myth is in modern society (utilising Barthes and others theorists), how they operate and why they are not simple lies or distortions. Suggests artistic works (including songs) can take three approaches to myth: affirming, shaping and reshaping. Undertakes a general survey of myths relating to the First World War and discusses the increasingly transnational nature of some myths, notably those of war as trauma and soldiers as victims. Takes a closer look at the specific myths of the First World War in Britain, Ireland, France, Germany, Australia, Canada and the USA.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.009
Threshold uncertainty score0.031

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0040.006
Scholarly communication0.0030.004
Open science0.0010.002
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0090.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.057
GPT teacher head0.285
Teacher spread0.228 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2016
Admission routes1
Has abstractyes

Explore more

Same venuePalgrave studies in the history of subcultures and popular musicSame topicWorld Wars: History, Literature, and ImpactFrench-language works237,207