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Record W2563447555 · doi:10.1145/2946803.2946809

Recasting the data sublime in media architecture

2016· article· en· W2563447555 on OpenAlexaff
Claude Fortin

Bibliographic record

Venuenot available
Typearticle
Languageen
FieldComputer Science
TopicInnovative Human-Technology Interaction
Canadian institutionsMcGill University
Fundersnot available
KeywordsSublimeArchitectureArtifact (error)AestheticsThe artsMythologyVariety (cybernetics)ArtVisual artsComputer scienceHuman–computer interactionLiteratureArtificial intelligence

Abstract

fetched live from OpenAlex

In aesthetic inquiry, the sublime has remained a versatile signifier used to theorize art movements across the ages in a wide variety of artistic media. Highly influential in literature and visual arts, it has adapted to the sensibilities of changing times and objects of study. A new understanding of the concept has emerged today: the data sublime. From data visualizations to mass surveillance, the moniker data sublime has been used in the past decade to refer to the abstract manifestations of information technology in the everyday. This expression of sublimity foregrounds data as a form that is virtual, transcendent and beyond the reach of the sense apparatus. Yet data as an artifact is indelibly written and recorded by human hands. What urban representations might this paradox render possible? Are dataspaces myths or the experience of real places? This essay speculates on some of the relationships that might exist between data sublimity and placemaking in design research. It contributes to the literature by engaging in a reflection on how the data sublime could be recast and applied to media architecture. Several case studies are presented to ground this discussion and suggest potential avenues for future research.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.011
metaresearch head score (Gemma)0.016
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.020
Threshold uncertainty score0.060

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0110.016
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0030.002
Science and technology studies0.0090.082
Scholarly communication0.0200.032
Open science0.0020.014
Research integrity0.0040.005
Insufficient payload (model declined to judge)0.0050.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.082
GPT teacher head0.295
Teacher spread0.212 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations7
Published2016
Admission routes1
Has abstractyes

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