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Record W2581231771 · doi:10.20361/g2j612

Dreaming in Indian: Contemporary Native American Voices, ed. by L. Charleyboy & M. Leatherdale

2017· article· en· W2581231771 on OpenAlexvenueaboutno aff
Colette Leung

Bibliographic record

VenueThe Deakin Review of Children s Literature · 2017
Typearticle
Languageen
FieldSocial Sciences
TopicIndigenous Health, Education, and Rights
Canadian institutionsnot available
Fundersnot available
KeywordsMetisLyricsNative americanMemoirPopulationIdentity (music)HistoryGender studiesArtMedia studiesSociologyArt historyLiteratureAestheticsGenealogy

Abstract

fetched live from OpenAlex

Charleyboy, Lisa, and Mary Leatherdale, editors. Dreaming in Indian: Contemporary Native American Voices. Annick Press, 2016.This magazine-like anthology for young adults presents a plurality of contemporary Native American voices, using beautiful design and high quality photographic layouts. The forms of expression these voices take are varied, and include poetry, art, memoir, hip-hop lyrics, question and answer interviews, fiction pieces, and fashion photography, among others. Over fifty pieces are featured, from well-known Native American artists from across North America, such as throat singer Tanya Tagaq Gillis, author Joseph Boyden, and actress Michelle Thrush, although many other voices are represented too, including those of chefs, youths, fashion designers, journalists, and more. Native American Nations from all over North America are represented, including Blackfoot, Cree, Blood, Metis, and mixed race. Short biographies on each contributor are featured at the end of the book. Although Dreaming in Indian is meant for young adults, it will appeal to a broad spectrum of the population, including children and adults.Dreaming in Indian is presented in four different sections: ‘Roots,’ ‘Battles,’ ‘Medicines,’ and ‘Dreamcatchers’. ‘Roots’ covers pieces related to ideas of home and the past, ‘Battles’ examines issues such as racism, gender identity, abuse, addiction, and poverty, ‘Medicines’ shows the innovative ways youth have found healing in music, art, sports, and cultural traditions such as jingle dancing and hoop dancing, and ‘Dreamcatcher’ looks towards how Native people are currently shaping the future for Native youth. Topics covered within these sections also include bullying, the effects of residential schools, and suicide, but also extend to feeling like an outsider both within and outside of your culture, career advice, how culture must grow, and reactions to stereotypical portrayals of Native Americans in popular culture. In addressing these issues, Dreaming in Indian offers glimpses and directions for how to move forward without patronizing or becoming removed from the topic. Even more powerful are the multiple viewpoints that are brought to the same issue. Different Native voices often offer differing thoughts on the same topic, illustrating how myriad and complex the people and these issues are.Ultimately, Dreaming in Indian is a powerful book that provides a well realized portrayal of Native people by Native people. As a non-fiction work, it fills a niche not often addressed, and showcases the talent and passion of the people it engages. The book can be read in a couple of hours, but due to its rich content and the fantastically detailed visuals, it is the kind of work that one returns to multiple times, and that stays with the reader long after it is finished. This book will appeal not only to those of Native descent, but to anyone who has sought to connect to their own identity, and to other human beings.Highly Recommended: 4 out of 4Reviewer: Colette LeungColette Leung is a graduate student at the University of Alberta, working in the fields of Library and Information science and Humanities Computing who loves reading, cats, and tea. Her research interests focus around how digital tools can be used to explore fields such as literature, language, and history in new and innovative ways.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Review · Consensus signal: Review
Teacher disagreement score0.033
Threshold uncertainty score0.065

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0020.003
Science and technology studies0.0040.002
Scholarly communication0.0060.005
Open science0.0010.002
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0090.003

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.012
GPT teacher head0.320
Teacher spread0.309 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreReview

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2017
Admission routes2
Has abstractyes

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