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Record W2587707622

Музыкальная культура тептярей Урало-Поволжского региона России

2013· article· ru· W2587707622 on OpenAlexaboutno aff
Ravil' Galimovich Rakhimov

Bibliographic record

VenueПроблемы музыкальной науки (Problemy Muzykal'noj Nauki) / Music Scholarship · 2013
Typearticle
Languageru
FieldArts and Humanities
TopicDiverse Musicological Studies
Canadian institutionsnot available
Fundersnot available
KeywordsMelodyTatarIntonation (linguistics)MusicalPopulationHistoryEthnic groupMalayCensusQuarter (Canadian coin)GeographyAncient historyGenealogyEthnologyLinguisticsVisual artsAnthropologyArtArchaeologyDemographySociology
DOInot available

Abstract

fetched live from OpenAlex

The article presents an analysis of the musical culture of the Teptyars – one of the presently extinct ethnicities of the region from the Urals to the Volga. First mention of them appeared in 1631 as an ethnic-class group on the territory of Bashkortostan. During Russia’s war with Napoleon Bonaparte in 1812 Teptyar regiments comprised part of the Cossacks’ Army Division led by ataman M.I. Platov. In 1926 during the population census in the USSR there were 27.300 Teptyars registered, although subsequently they were listed as Tatars or Bashkirs. The main source for the article was the analysis of the auditory recordings made by Russian ethnographer Sergei Rybakov, published in his work “Muzyka i pesni uralskikh musulman” [“Music and Songs by Muslims from the Ural Mountains”] (1897) of eight Teptyar songs of the Teptyar-Uchalinsk Volost (presently, the Uchalin District in Bashkortostan). In the “Present-Day Notation” section of the book a number of instrumental melodies, written down by the author of the article in 1984 in the regions densely populated by the Teptyars (the Uchalinsk and Chekmagushevsk Districts). It also presents present-day Teptyar tunes on the bayan and single-low button accordion. Upon analysis of the surviving specimens of the Teptyar musical culture, one can discern original traits of intonation-based material, bearing a fusion of Tatar, Bashkir, Russian and Mari rhythmical-melodic formulas, albeit possessing its own characteristic distinctions. The conclusion is arrived at that during the first quarter of the 20th century a “conservation” of Teptyar musical culture took place, an overcoming of which can be discerned at the present time. Keywords: folk music of the peoples of Russia, the musical culture of the Teptyars

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.018
Threshold uncertainty score0.061

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.002
Science and technology studies0.0020.003
Scholarly communication0.0040.001
Open science0.0000.002
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0180.008

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.156
GPT teacher head0.242
Teacher spread0.086 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2013
Admission routes1
Has abstractyes

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Same venueПроблемы музыкальной науки (Problemy Muzykal'noj Nauki) / Music ScholarshipSame topicDiverse Musicological StudiesFrench-language works237,207