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Record W2605543400 · doi:10.3138/cjfs.25.1.111

Modes of Intersubjective Address in <i>The Central Character</i> (1977) and <i>Our Marilyn</i> (1987)

2016· article· en· W2605543400 on OpenAlexvenueaboutno aff
Shana MacDonald

Bibliographic record

VenueCanadian Journal of Film Studies · 2016
Typearticle
Languageen
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsnot available
Fundersnot available
KeywordsCharacter (mathematics)Representation (politics)Cognitive dissonanceAestheticsSociologyReading (process)Space (punctuation)ArtPhilosophyPsychologyPoliticsLinguisticsSocial psychology

Abstract

fetched live from OpenAlex

This article examines the use of intersubjective modes of address in Canadian feminist experimental film between 1979 and 1987. It compares Patricia Gruben’s The Central Character (1979) and Brenda Longfellow’s Our Marilyn (1987), noting how the use of experimental forms of address in both affectively blur the distinction between diegetic and non-diegetic space, unsettling the certainty of the spectator’s viewing position. The article counters the reading of feminist avant-garde film from this decade as being engaged in disruptive practices. While dissonance and dislocation are a part of the history of feminist experimental film aesthetics, the article argues it is equally necessary to map moments of resonance and intersubjective exchange in these films. Gruben and Longfellow’s experiments with cinematic address are framed as important interventions into dominant forms of representation that expand the range of possibilities for both the image of woman onscreen and the feminist spectator in the audience.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.005
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.696
Threshold uncertainty score0.611

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.005
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.002
Science and technology studies0.0170.052
Scholarly communication0.0090.004
Open science0.0010.004
Research integrity0.0010.004
Insufficient payload (model declined to judge)0.0050.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.045
GPT teacher head0.239
Teacher spread0.194 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2016
Admission routes2
Has abstractyes

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Same venueCanadian Journal of Film StudiesSame topicCinema and Media StudiesFrench-language works237,207