MétaCan
Menu
Back to cohort
Record W2623964677 · doi:10.25071/ryr.v1i0.40328

A Lasting Riot: Controversy and Stravinsky’s Rite of Spring

2014· article· en· W2623964677 on OpenAlexaboutno aff
Katherine Munro

Bibliographic record

VenueRevue YOUR Review (York Online Undergraduate Research) · 2014
Typearticle
Languageen
FieldArts and Humanities
TopicMusicology and Musical Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsRiteRite of passageMusicalVariety (cybernetics)HistoryAestheticsJohn CageLiteratureBalletArtDanceVisual artsSociologyArt historyLawPerformance artPolitical science

Abstract

fetched live from OpenAlex

The Rite of Spring has consistently been depicted as an epoch-making piece of music and is often described as the most influential musical work of the twentieth century. No mention of the piece is complete without drawing attention to its scandalous premiere as a ballet in Paris on May 29, 1913, which ended in a riot. The work continues to be controversial in a variety of ways today. Academics disagree on several fronts: was the controversy surrounding the original performance due to the choreography rather than the music? How quickly did the audience response change from derision to congratulation? Does the Rite of Spring really break from the past or does it demonstrate significant continuity with other compositions? Does the work respect theories of composition and can it be analyzed theoretically? And, intriguingly, is Stravinsky’s Rite of Spring an amoral work that celebrates inhumanity? Answers to these questions are proposed, based on the analysis of reviews of the early performances, as well as on academic writing about the work over several decades. The questions are further related to a review of a performance of the work in Toronto (2012). While the Rite of Spring may have a lessened ability to shock modern audiences, its vitality and controversial nature remain as dramatic as ever.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.968
Threshold uncertainty score0.695

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.132
GPT teacher head0.344
Teacher spread0.212 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2014
Admission routes1
Has abstractyes

Explore more

Same venueRevue YOUR Review (York Online Undergraduate Research)Same topicMusicology and Musical AnalysisFrench-language works237,207