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Record W267432804

Unleashing the Expressive Resonant Voice

2011· article· en· W267432804 on OpenAlexaboutno aff
Debra Greschner

Bibliographic record

VenueJournal of Singing · 2011
Typearticle
Languageen
FieldComputer Science
TopicMusic Technology and Sound Studies
Canadian institutionsnot available
Fundersnot available
KeywordsCLARITYPerforming artsPsychologySentenceTone (literature)MillerPerspective (graphical)Cognitive scienceLinguisticsCommunicationComputer scienceVisual artsArtPhilosophyArtificial intelligence
DOInot available

Abstract

fetched live from OpenAlex

Kim Mattice Wanat, Unleashing the Expressive Resonant Voice. Edmonton, AB: Elite Lithographic, 2007. Paper, 140 pp., $44.95; DVD with demonstrations $25.00; package with both book and DVD, $65.00. ISBN 978-0-97282779-0-1 www.operanuova@shaw.ca A truism of pedagogy is that teachers are the products of both formal training and life experiences. Kim Mattice Wanat, author of Unleashing the Expressive Resonant Voice, is no exception. Wanat is a singer and actor who melded the two disciplines in her teaching after attending intensive summer programs taught by Wesley Balk and Richard Miller. Her own experiences as a performer and director, coupled with speech training in her childhood, combine to form a pedagogic approach with a unique and useful perspective. Wanat explains her methodology in a single sentence: Every element of this vocal method is based upon communicating with a clear intention. This clarity of purpose directs the breath, the onset, and the release; gives freedom and resonance to the tone; and imbues the singer's stance with confidence. The intention encompasses the use of the voice, the face, and the body. Emphasis upon communication, however, does not preclude an understanding of the physiology and function of the voice. The author identifies three pillars of vocal technique: breath, onset/release, and resonance. She explains each component, and then identifies common problems and their solutions. The goal of communication is where Wanat begins her explanation of breath. She draws upon her training in theater and summarizes it thus: We think a thought; we breathe to fuel that thought, and then we communicate. In lessons, it is important to emphasize communication, for it will foster effective breathing. It is one of the reasons that Wanat advocates introducing the expressive mode early in vocal training. Similarly, the onset and release of the tone-the second pillar of technique identified by Wanat-is firmly rooted in the impetus of communication. Many difficulties can be addressed through the correlation between speech and singing. If students speak with the correct onset and release, they should use speech as a model for their singing; if their speaking habits are interfering with free production, those behaviors must be modified. The final component of technique is resonance. Wanat disagrees with the practice of having young singers focus entirely on their head voice; instead, she believes that novice vocalists must know that low, middle, and high resonance are a part of every note they sing. She argues singers must balance their resonance (she eschews the use of the term register), and avoidance of the issue with beginning singers is merely postponing the inevitable. She also maintains that beginning singers should be encouraged to explore their instruments, even if that includes some less than beautiful sounds. …

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Methods · Consensus signal: none
Teacher disagreement score0.016
Threshold uncertainty score0.053

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0020.002
Scholarly communication0.0030.005
Open science0.0010.002
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0160.008

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.034
GPT teacher head0.234
Teacher spread0.200 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreMethods

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2011
Admission routes1
Has abstractyes

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