Catherine Bodmer: espacio urbano e imaginarios identitarios post-TLCAN
Bibliographic record
Abstract
Catherine Bodmer: espacio urbano e imaginarios identitarios post-TLCAN En el contexto de movilidad cultural post-TLCAN el norte del continente americano forma un bloque que busca estrategicamente estrechar sus lazos diplomaticos a traves del arte. La obra fotografica de la artista quebequense Catherine Bodmer subraya con ironia la globalizacion de los estereotipos nacionalistas, promovidos en el marco de esta nueva movilidad cultural. En este articulo analizo como al cuestionar la identidad del medio fotografico, Catherine Bodmer nos hace reflexionar sobre el devenir de lo local a traves del espacio urbano globalizado e interroga el imaginario de la megalopolis subdesarrollada a traves de su dimension historica, cultural y social. No solo nos invita a reflexionar sobre las relaciones identitarias Norte-Sur en la era post-TLCAN, sino que propone discutir como “tu me miras y yo te miro” a traves este imaginario compartido. Catherine Bodmer: urban space and imaginary post-NAFTA identities In the context of post-NAFTA cultural mobility, the North American continent forms a bloc that seeks strategically to strengthen its diplomatic ties through art. The photographic work of the Quebec artist Catherine Bodmer ironically underlines the globalization of nationalist stereotypes promoted within the framework of this new cultural mobility. In this article I discuss how Catherine Bodmer’s questioning the identity of the photographic medium makes us reflect on the future of ‘local’ through the globalized urban space, and examines the imagery of the under-developed megalopolis through its historical, cultural and social dimensions. Not only does it invite us to reflect on North-South identity relations in the post-NAFTA era, but it opens up to discussion the question of how “you view me and I view you,” through this shared imagery. Catherine Bodmer: spazio urbano e immaginari identitari post-TLCAN Nel contesto della mobilita culturale post-TLCAN il nord del continente americano forma un blocco che cerca strategicamente di stringere legami diplomatici attraverso l’arte. Il lavoro dell’artista svizzero-canadese, radicata in Quebec, Catherine Bodmer, sottolinea ironicamente la globalizzazione degli stereotipi nazionalisti promossi nel quadro di tale nuova mobilita culturale. Attraverso l’installazione o la fotografia, ella analizza le identita turistiche asettiche, depurate da ogni conflitto sociale, le quali vengono esportate all’estero distorcendo la soggettivita culturale.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.002 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.016 | 0.016 |
| Scholarly communication | 0.008 | 0.005 |
| Open science | 0.001 | 0.004 |
| Research integrity | 0.002 | 0.003 |
| Insufficient payload (model declined to judge) | 0.009 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".