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Record W2734786182 · doi:10.18192/rceh.v41i1.2041

Cervantes, Calderón and Matters of Honour: Romance and Tragedy in “El curioso impertinente” and El pintor de su deshonra

2016· article· es· W2734786182 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.
venuePublished in a venue whose home country is Canada.

Bibliographic record

VenueRevista Canadiense de Estudios Hispánicos · 2016
Typearticle
Languagees
FieldArts and Humanities
TopicEarly Modern Spanish Literature
Canadian institutionsUniversity of Ottawa
Fundersnot available
KeywordsHumanitiesArtHonorHEROHonourTragedy (event)CartographyLiteratureHistoryGeography

Abstract

fetched live from OpenAlex

Los asuntos de la honra se presentan de varios modos en la literatura española de la temprana modernidad, desde obras cómicas hasta dramas serios que los críticos han caracterizado como tragedias. La trama de honor tiende a la tragedia cuando invierte el modelo convencional de la comedia nueva griega y de la novela bizantina en el cual la heroína triunfa por medio de la integridad y el reconocimiento de su verdadera identidad. La tragedia, un género que resiste una definición teórica abstracta, se transforma por medio de su interacción con otros géneros en obras de honor. Es posible estudiar estas cuestiones de género y reconocimiento en “El curioso impertinente” de Cervantes y El pintor de su deshonra de Calderón. En ambos textos los lazos de amistad entre hombres anulan la fidelidad e ingeniosidad que caracterizan a la típica heroína cómica, y la acción dramática termina en una soledad trágica. No obstante, ninguno de los dos presenta una trama trágica completa, porque los modos de reconocimiento resultan ser parciales o falsos. En el contexto de la teoría aristotélica, la trama de honor crea un grado de ironía ajena a la tragedia clásica.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.738
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0010.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.009
GPT teacher head0.220
Teacher spread0.210 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it